Categories
Writer's Notes

Writer’s Contests: Do You Feel Lucky? By J.L. Greger

By J.L Greger

Feb. 16, 2018

shedidn'tknowherplace2Author–sponsored book giveaways are contests, too. Theoretically, free book giveaways, such as those sponsored by Goodreads, generate publicity for a book in several ways.
• Individuals are more apt to read a blog or Facebook post that announces something free.
• Authors tend to post more on Facebook when they’ve set up a giveaway.
• Applicants for a book in a giveaway are likely to remember the book’s title.
• Goodreads encourages applicants for a giveaway to include it on their Want-to-Read list.
• Winners of a book from a Goodreads giveaway are supposed to post a review.

My Real Experience

I’m not expert on giveaways but I’ve done giveaways for four of my books during the last three years with Goodreads. Each time I publicized the giveaway on twenty different Facebook sites at least twice, sent over fifty tweets, and wrote blogs mentioning the giveaway on at least three different sites.

The books generated 347 to 657 requests each even though I offered only three to five copies of the book. I think most giveaways are for less than five books. I suspect Murder: A Way to Lose Weight garnered the most requests because of the cute cover and humorous, catchy title.

The first two giveaways were free for me because my editor supplied Kindle copies of my books to the winners, but I received no reviews. I offered signed print copies for the last two books and tucked a thank you (in advance) note for the reviews in each book. Thus, those giveaways cost me the books and postage, but I got the reviews for The Good Old Days? A Collection of Stories. The giveaway for She Didn’t Know Her Place ended just before Christmas 2017 and it’s too early to assess results. I couldn’t discern an increase in Amazon sales of books (paperback or Kindle versions) in the month following any of the giveaways.

New Developments. I don’t think I’m the only author disappointed by my results. Goodreads announced a new giveaway program starting in January 2018. Three features are interesting. Everyone who enters a giveaway automatically adds the book to their Want-to-Read list. About eight weeks after the giveaway ends, winners receive an email from Goodreads to remind them to rate and review the book. The standard giveaway plan isn’t free anymore. It costs $119. The premium plan costs more.
Conclusions. I don’t think I’d pay over $100 to do another giveaway. However, I should admit I’m not into social media as much as many authors and do not have long friends lists. I’m also not lucky. I’ve played ten cards of Bingo on ten occasions in the last year and have not won once.
Do you feel lucky and want to see if you can increase your books sales with a giveaway? Maybe you’d rather read my new mystery.

~~~

JL Greger and BugBlurb: In She Didn’t Know Her Place, Dana Richardson faces that dilemma in her new job at a state university in New England. A research center, which reports to her, is falsifying data to help industrial clients meet federal pollution standards, and the last woman who tried to investigate the problem died under suspicious circumstances.

Available in paperback and Kindle: http://www.amzn.com/1979733112

Author: J. L. Greger is a biology professor at the University of Wisconsin-Madison turned novelist. She likes to include tidbits of science in her thrillers and mysteries.

Her newest mystery is She Didn’t Know Her Place. Her other books include: Riddled with Clues (Finalist for a 2017 NM/Arizona book awards) and Murder: A New Way to Lose (winner of 2016 Public Safety Writers Association [PSWA] contest and finalist for a 2016 NM/Arizona book award).

She focuses on families in her short stories. She has published two collections of stories: The Good Old Days? and Other People’s Mothers (finalist for a 2017 NM/Arizona Book Awards).

Learn more at her website: http://www.jlgreger.com

 

 

Categories
Writer's Notes

Breaking My Own Rule

A review of Shot to Pieces: A Novel by Michael O’Keefe

Review by Thonie Hevron

Shot to Pieces coverBlurb: SHOT TO PIECES is the story of NYPD 1st Grade Detective Padraig Joseph Durr. Durr is tasked with solving a particularly grisly gang related homicide in Brooklyn. When Paddy catches the squeal, he is also on the verge of an emotional and psychological breakdown. Because of his penchant for self-destruction, fueled by a childhood of abuse and sexual exploitation, coupled with an ingrained sense of worthlessness and abandonment, Durr has brought his entire life to the brink of ruin. Can he hold it together long enough to solve this murder? Can he fix himself enough to be re-united with the one true love of his life and his family? Or will he implode, irrevocably destroying his career, his family and himself?
A few weeks ago, I was contacted by fellow Public Safety Writers Association author Michael O’Keefe. He asked me to read and review his debut novel, Shot to Pieces: A Novel. I told him that I would happily read it as it is a genre in which I write—police procedural, but I don’t do book reviews on my blog. I don’t have an MFA, nor any formal education in literature. I felt unqualified to make a comprehensive review. I am religious about leaving reviews on Amazon, however, and that is what I told him I’d do. We exchanged books the next day. He read mine and posted a very nice 5-star review on Amazon. Read it here.

I, however, was bogged down enough that I couldn’t finish his book until today. I began Shot to Pieces with the expectation of reading a depressing police procedural. Check out the blurb above to see why. But I’d committed to read the book, so I read on.
And boy, am I glad I did! This was one exciting, wild ride with a lot of heart. I’m a west coast law enforcement veteran, so some of the situations hero Paddy Durr gets himself into seem foreign to me. But here’s the deal: they are believable. I can see these things happening during an active career. As can be expected, NYPD differs from small town agencies I worked for. But the personalities of the other detectives, brass, and mutts are collages of many personalities I know!

And the hero, Paddy Durr, has many traits—both desirable and unfortunate—that make him a realistic and exciting protagonist. He’s prone to trouble—you already know that. But his observations on the job are stunning, particularly one in Chapter 27 where his fiancé asks why all the cops in the area come to see him while he’s being treated in the ER. I’ll start the paragraph for you, but you’ll have to read it for the full effect. “Active cops are a different breed. We’re the gunfighters, the alpha dogs of the police department. We’re not special, just different. … So, this pilgrimage is as much away to say I’m glad we’re not meeting at your funeral as it is to say thank you for reminding me to get my head out of my ass. An event like this forces everybody to get back on their A-game.”

M O Keefe
Author Michael O’Keefe

 

Every page is laced with an unusual combination of intelligence, testosterone, and heart. It’s gritty, it’s real, and moved me to tears a few times. Make no mistake: Paddy’s story is basically a love story—his love for the job and all it stands for as well as his love for his wife and family. However, if you’re a romance reader, take a pass on this book.

 

But if you enjoy police procedurals like Michael Connelly and Joseph Wambaugh, this is right up your alley. I may not have the ed creds to analyze Shot to Pieces (aside from a little head-hopping now and then) but I know what I like.

So, it’s my blog and I can break my own rules: I highly recommend Shot to Pieces: A Novell!

Categories
The Call Box

The Call Box: The Bel-Aire-Brentwood Fire 1961

polic-call-box-pedestal-lapd-gamewell-DCAL2786_dt1By Ed Meckle, retired LAPD

December 2017

With fires burning what seems to most of California, my thoughts turned to the Bel- Aire fire of 1961.

I was working metro the “go anywhere, do anything” division when the phone woke me in the very early hours of Monday, November 6, 1961.

“Class a uniform, here (at the office), ASAP.”

I thought it was a joke as I was scheduled to take my sergeants oral exam that morning. 

“No joke. Everything is on hold. Get in here.”

An hour later about fifty of us aboard two police buses headed west into the darkness. All we knew was there was a major fire in Bel-Aire. Later, someone exclaimed, “My god, look at that.”

The entire horizon for 180 degrees was on fire and we were headed directly into it. We were to assist with evacuations, keep sightseers out and prevent looting.

Bel-Aire? What did I know of Bel-Aire?

It turned out to be another world. A very toney piece of real estate. Hilly, sprawling and in some areas almost pristine. It ultimately became known as the Bel Aire-Brentwood Fire.

Isolated canyons, mountain-top mansions of the rich and famous. To the fire, everyone was equal—everything burned.

The locals welcomed us with open arms as saviors. We were used to working in hostile areas and it was a shock to find the love. Actual cheers and applause. 

I don’t think bottled water had been “invented” yet but we had more food and beverages than we could handle.

 

Maureen_O'Hara-Robert_Lowery_in_McLintock! 1963 (2)
Maureen O’Hara in McLintock! 1963

 

The beautiful screen actress Maureen O’Hara opened the side door to her kitchen/pantry 24/7 with all manner of food and desserts.

Life magazine tagged it, “tragedy trimmed in mink.” And yes, we had Santa Ana winds and the favorite target of the flames “shingle roofs.”

We worked 12-hour shifts, slept in the West LA jail or on cots.

 

Los_Angeles_Bush_Fire_September_2017
The La Tuna Fire, September 2017 in Los Angeles

 

The mountains above Bel-Aire were then wild and largely uninhabited with many secondary roads into the area, “the back way.”

 

On one occasion, I was sent to relieve Officer Jim Horkan at some remote mountain-top outpost. On arrival, I found a 12 or 14-year-old boy in the intersection ready to direct traffic if it should appear. I asked him where the officer was, he pointed to a large tree nearby. I swear this is true. Jim was seated in an overstuffed chair and a uniformed butler was serving him tea. Yes, a butler, honest.

Sometime later, I flagged one of the few cars passing and discovered former Vice President Richard M. Nixon as passenger. He lived in the area.  One year later almost to the day, he lost the election to become governor of California.  

On day three with the fire contained, I remember driving along a mountain top range of burned out homes. One after another after another, the world was grey and deathly silent. Not even the sight or sound of a bird. Otherworldly.

484 homes lost, 16,000 acres burned. Zero fatalities.

A truly unforgettable experience.

 

Categories
Writer's Notes

Writer’s Contests Do’s and Don’ts by Donna Schlachter

By Donna Schlachter

 

Mail Order Brides cover
Read Donna’s A Train Ride to Heartbreak inside!

So you read about the latest contest, you snag a file from one of your computer folders, attach it, pay the entry fee, and sit back, waiting for THE CALL. Because, after all, this is the best thing you’ve ever written—at least, that’s what your mother said three years ago when you showed it to her.
And then you get the news: you didn’t even final, let alone win. And the judges’ comment attached confirmed what you knew all along: the contest was a scam. These people just don’t get your writing style. They know nothing.
Or do they?
Writing contests are about as different as cats. Sure, all cats have claws and whiskers and they meow, but not all cats are the same. Some like to cuddle. Some like to romp. And some just don’t care whether you’re dead or alive so long as you feed them.
Writing contests are the same: some make you feel warm and fuzzy; some challenge you to do better; and some are only in it for the money.
How do we wade through the mire? Here’s a short and by no means exhaustive list of things to look for in a writing contest, as well as a list of suggestions for succeeding in contests.

 

Choosing a Contest:
1. What are you hoping to get out of it? Do you hope to win the grand prize, or simply get some feedback on the first 15 pages before you spend the next year writing the book?
2. If you want to win the grand prize, read the instructions that come with every contest. Sometimes cleverly disguised as Rules, these parameters tell you how to get past the gatekeeper.
3. Does this group hold more than one contest per year? If so, that might be their only business. Beware.
4. Does this contest promise publication to the winner? If so, beware. Nobody should guarantee publication because even a winner can be really badly written.
5. If the contest publishes a list of past winners, check them out. Are the authors now published? And is it with a traditional publisher or a vanity press? Many contests turn into tough sales pitches for every entrant, asking thousands of dollars for editing, cover design, book formatting, and the like.
6. Does your story really fit the genre? If you choose a category, make sure you choose wisely. Judges who read sci-fi simply won’t get your chick-lit book simply because you thought the competition might be less there.
7. Have you done more than pull out an old file and send it off? Read through, polish, edit, revise before hitting SEND. If you’ve lived more than fifteen minutes since you first wrote it, you’ve learned something about the craft of writing.
8. Do you recognize the names of any of the judges? Can you search for them online? Do they all work for the same company? Beware.
9. How does the scoring work? If there are three judges and all scores are included, you might end up with a lower score than if the lowest one is dropped and the other two averaged. Sometimes judges just don’t “get” the story, and that’s okay. Not all readers will “get” it, either. You shouldn’t be penalized because one out of three was having a bad day, or got buttonholed into judging sci-fi when they really like Amish mysteries.
10. Will you receive written feedback either in the form of judges’ comments or an evaluation sheet? This is sometimes worth more than the grand prize. Contests that seek to improve your writing are always the best place to invest your money and time.

Succeeding in a Contest
1. Read the rules.
2. Follow the rules EXACTLY. If the rules say 1/4 inch margin and quadruple spaced, do it. You don’t have to like it. They make the rules. They will judge your work based on your ability to follow instructions. Some of the judges might be editors, and they want to weed out writers who won’t do as they’re asked.
3. Choose your genre carefully. (See #6 above) Don’t expect the coordinator to read your submission and move it to the proper genre.
4. Check out the contest online first. There are several good places to check out contest scams, including:
https://www.wikihow.com/Avoid-Writing-Contest-Scams
http://writing-world.com/contests/scams.shtml
https://thewritelife.com/writing-contests/
5. Choose a contest associated with a conference you’re planning on attending. These are usually legitimate, and more likely to fit into your genre since you’re going there for a reason.
6. Choose a contest associated with a writing organization you’re already a member of. Same reasoning as #5.
7. Ask around for others’ experiences about contests they entered.
8. Consider the entry fee and whether it’s equitable for the potential win. A $15 entry fee with feedback for a $100 prize may sound high, but it’s a good deal for the feedback. A $45 entry fee where 10,000 authors entered last year is a good money-making effort with little chance of winning.
9. Consider where you are in your writing career. If you’re already published, contest opportunities are much fewer, and unless the contest is something really specific, such as Best of Arizona Military Fiction, you might be better off skipping it. If you’re pre-published, a win is a nice kudo in your bio and could attract an agent or an editor.

Whatever you decide about entering a contest or not, the real secret to success in writing is to keep reading. Keep writing. Look for ways to give back.
And if you win, invest the money back into your writing before you plan a vacation or a cruise or buy a new car. Unless, of course, your next book requires that kind of research (smile).

 

Schlachter DSCF1330_DonnaAbout Donna:
Donna lives in Denver with husband Patrick, her first-line editor and biggest fan. She writes historical suspense under her own name, and contemporary suspense under her alter ego of Leeann Betts. She is a hybrid author who has published a number of books under her pen name and under her own name. She is a member of American Christian Fiction Writers and Sisters In Crime; facilitates a local critique group, and teaches writing classes and courses. Donna is also a ghostwriter and editor of fiction and non-fiction, and judges in a number of writing contests. She loves history and research, and travels extensively for both. Donna is proud to be represented by Terrie Wolf of AKA Literary Management.

 

http://www.HiStoryThruTheAges.wordpress.com
http://www.HiStoryThruTheAges.com Receive a free ebook simply for signing up for our free newsletter!
Facebook: http://www.Facebook.com/DonnaschlachterAuthor
Twitter: http://www.Twitter.com/DonnaSchlachter
Other Books: Amazon: http://amzn.to/2ci5Xqq and Smashwords: http://bit.ly/2gZATjm

About A Train Ride to Heartbreak:

October 1895
Mary Johannson has scars on her body that can’t compare with the scars on her heart. She is alone in the world, with no family, no prospects, and no home.

John Stewart is at his wit’s end. His wife of three years died in childbirth, leaving him with a toddler and an infant, both girls. Theirs was the love of fairy tales, and while he has no illusions about finding another like her, his children need a mother.

Though separated by thousands of miles, they commit to a mail-order marriage. But on their journey to Heartbreak, they meet another and realize the life they’d planned would be a lie. Can they find their way back from the precipice and into the love of God and each other, or are they destined to keep their word and deny their heart?

Buy link: http://amzn.to/2Cur1I4

 

 

Categories
Roll Call

Roll Call: Northeast Vice and the 265 Pound Arrestee

By Mikey, Retired LAPD

February 4, 2018

Griffith ParkAt the time that I worked Northeast Vice, we owned Griffith Park and part of the Hollywood hills. Complaints about lewd conduct occurring in several areas of the park required the unit to enforce these laws so that the public could better enjoy the park, it’s many hiking trails and spectacular views of the city.

A particular trail which afforded a magnificent view was a hot spot for the ‘complained of’ activity. Accordingly, the unit focused its efforts on the location which sported an 80-foot drop from the trail to the ground below. The actual 80 feet distance had a slight angle to the bottom, so it was not a straight drop. At the time, one of the lewd conduct violations was the grabbing of one’s private part which was considered foreplay. Once that happened, the vice copper would identify himself and with the aid of his partner, effect the arrest. It was 1978 and if you aren’t old enough to remember, it was a very wet winter.

Wonder view trail Griffith ParkRick, my partner, and I were assigned to work that trail. I drew the short straw and would be the ‘trick.’ Rick hid in the bushes where he could cover me and be a witness to the violation while I stood on the trail, the bait. Soon enough came this rather large individual—about 265 pounds and about 6 feet. I was playing with a twig and my arms were chest level. The individual stood about 10 feet to my right and slowly worked his way toward me. Now, the deal was when the violation occurred, I was to step to the side, Rick would emerge from the bushes, we would identify ourselves, advise the guy why he was being arrested, hook him up and off to jail.

With his left hand the guy grabbed me so hard I grabbed his hand and yelled, “LAPD vice, you are…” He took a swing at me and as I tried to block his punch, we fell off the trail. We quickly traversed the 80 feet I was talking about earlier. Now, I was wearing combat boots and several feet from the flat ground we stop! I say we, because I had a hold of him. My right foot has wedged into a rut, remember the rain, and my foot was supporting us both.

rugged trail Griffith ParkI was laying on my back holding onto the guy when I hear Rick sliding on his butt down the hill, shouting for me to hold on. Then, I heard a “snap,” and I found myself looking at the ground, my left leg out to the side. I let go of the guy as the pain started to get serious. Rick sails past me toward the soon-to-be-arrested violator as I am attempting to dislodge my leg. The boot slipped out of the rut and down I went, landing on my left shoulder.

So, the guy has violated me, caused me to break my foot and screw up my shoulder. I was on the ground watching Rick attempting to place a choke-hold on the guy (we could it then). But Rick can’t get the guy in a seated-up-right position to affect the choke. I crawl over to the two, place my right hand on his left buttocks and my left hand between his thighs in an attempt to push with the right hand and pull with the left.

Rick chokes the man out, as the guy goes down, urinates.

Uh, huh. Groped, broken ankle, messed-up shoulder, wet left arm up to the wrist.

Foot still bothers me to this day.

 

 

 

 

Categories
Writer's Notes

Writers’ Contests Count

By Thonie Hevron

PSWA-stickerEntering contests are a no-brainer for me. I can directly attribute my entry into the realm of traditional publishing (albeit a small press) to winning a contest. I’ll bet many authors could say the same.

In 2012, I entered my unpublished manuscript, working title Probable Cause, in the Public Safety Writers Contest (PSWA). I won third place in my category-unpublished novel. Now re-named, By Force or Fear, I soon self-published it on Smashwords as an eBook, in the hopes of getting enough money together to do a print version. Meanwhile, I worked on mapping out the second book of the Nick and Meredith Mysteries (I’m a compulsive plotter).

After months of writing, querying, submitting and all-around frustration, I entered my novel, in a contest at Oak Tree Publishing (OTP). Oak Tree had recently published an anthology for the PSWA, so I thought it would be worth a chance. I was stunned when I won. First prize was publication of the winning book. I’d entered my second Nick and Meredith Mystery, Intent to Hold. It had just won second place in unpublished novel category the PSWA’s 2014 Writers’ Contest. After a polishing up, my new publisher agreed to publish the first novel, now renamed By Force or Fear.

aklogo-web_origAs events progressed, both novels with Oak Tree Press went to press with the third, With Malice Aforethought, in contract. Sadly, Oak Tree’s production has fallen into limbo with the ongoing health issues of its publisher, Billie Johnson. Johnson offered many OTP authors their rights, so I took mine. The short version of this story is I now have another publisher, Aakenbaaken & Kent, with whom I’m very pleased. I’m currently working on another Nick and Meredith Mystery, working title, Felon with a Firearm. I’m hustling to get it finished for the next PSWA writing contest that opens in May.

East Texas Writers Guild Book Award 3rd place 2015I’m also looking into other places to submit my work for competition. In 2015, the East Texas Writers Guild awarded Malice third place in “Best First Chapter” category. There are many more contests in which to submit your work. Start with a Google search: I use “mystery contests.” It helps to search within your genre.

Contests count. They give the author credibility. Winning a contest means someone other than your mother likes your work. Agents and publishers look at winners differently. It’s a terrific marketing tactic to use, “Winner of the Agatha Award” on the book cover. But for me, it’s a wonderful confidence booster to win a writing contest. Winning motivates me to work harder for the next entry. It also helps me to set goals. Having a first draft by May 1st, the usual deadline for PSWA’s contest, is a typical goal. I’ll make Felon the fourth try to come in better than Malice’s second place in 2016.

This month, Romance author Donna Schlachter will weigh in on Do’s and Don’ts in Contests. J.L. Greger, author of several science-based mysteries asks, “Do You Feel Lucky?” February will end with thoughts from a prolific children’s author, Natasha Yim, the chair of the Redwood Writers Club (California Writers Club branch in Sonoma County) Contests. Posts are up every Friday at 6 A.M. on Just the Facts, Ma’am, Writer’s Notes.

Think about entering a contest. You can’t lose anything more than a few bucks–some are even free. A contest might jump-start flagging progress on your WIP, you could set and meet realistic goals, or even better yet, you could win!

Categories
View from the Tower

View From the Tower: Stations

By John Schick, Retired Department of Corrections, California

(This post was originally a comment to Hal and Ed’s post about their police stations. It was so good, I had to post it on John’s own column.–Thonie)

Prison_guard_tower_(2967623823)Ok, so we’re talking about antiquated work buildings. CIM (Ca Institution for Men where I worked)) was opened in 1941. It was the only prison ever built by the WPA (Works Progress Administration) during WW-II. Originally it was a honor farm work camp: It had no walls. It has four facilities: Reception Center West, Reception Center East, Reception Center Central (RCC), and CIM-Main (minimum custody level 1 inmates.) The entire facility (with additions) held 6,500 inmates. We ALWAYS had more. It was the ONLY Reception Center in southern Calif. until Otay-Mesa (Donovan) was activated in 1987. We used to receive jail buses from the counties of LA, Riverside, San Diego, Orange, and San Bernardino. It made for a busy day every day.

Prior to the installation of electric cell doors EVERYTHING was gang box manual cell control. If you’ve ever toured Alcatraz, you saw manual levers for opening and closing cell doors. Ours was very similar. It took some getting used to. Ofttimes the doors wouldn’t lock, so we had to secure them with handcuffs. Almost every cell block had three tiers. After 8 hours of running up and down stairs you were ready to hit the gate UNLESS you got ordered over due to staff shortages. THEN you got 16 hours of stairs to handle. No overweight people were overweight for long.

On the West yard where I worked most of my career we had one story 150-man dormitories. They were a dilapidated to say the least. Toilets were clogged. The showers quit working. The heaters broke. A/C? Nah! Every Spring the dorms would be overrun by termite queen swarms. They were crawling on the walls. They were flying in your face. They would fill up the overhead light covers. You had to shake out your uniform and belongings to make sure you didn’t take a queen termite home with you. Our maintenance department was ineffective, to say the least.

In the RCC higher security building (erected in 1951) was a concrete dungeon. All it needed was a draw bridge. At night you could count on a visit from either Mr. Cockroach, OR Mr. Mouse, or both. There were THOUSANDS of them. The basement was an adventure. Usually half full of water it was a home to Olympic-sized cockroaches. I measured one at almost three inches in his bare feet! Despite efforts to eliminate their numbers they thrived. It was cool down there. It was moist and smelled like a putrefying bog. Perfect!

dairy cattleI should mention that CIM had a dairy herd of about 200 milking cows on grounds. The flies and smell of manure was in the summer horrific. The ammonia was enough to clear your nostrils! Not only did WE have dairy cows, but the entire end of southern Chino was at one time the largest dairy reserve in the world. So, there was an unending supply of manure aroma to satisfy the most sensitive noses. At night we would get thick fog that would pick up the manure scent and carry it into the dorms.

I heard an inmate complain one particularly stinky night, “Man! That’s 100% bullshit!”

I had to concur.

Categories
Writer's Notes

Newsflash: I have a new publisher!

aklogo-web_orig

By Thonie Hevron

As some of you may know, in the fall of 2016, Billie Johnson of Oak Tree Publishing suffered a debilitating health issue. Subsequently, she offered book rights to her author stable. I took mine back and have self-published all three books in the intervening year, while searching for an agent and/or publisher. Not to many takers for books already published.

3 book covers

But today, I signed a book contract for the Nick and Meredith stories with Aakenbaaken & Kent publishing house of Valdosta, Georgia. Publisher Mike Orenduff is providing all the imperatives for this author. He will be responsible for the formatting and cover of all books. He’ll publish my three previous books plus the new one, Felon with a Firearm, and all will be in the Ingram catalog. Being listed in this catalog is huge. Most bookstores won’t take books on consignment but Ingram guarantees return of any leftover books. This frees up bookseller inventory and making this (and any Ingram) author more attractive.

My first A&K book won’t be out until late spring or early summer. In the meantime, you can still order all three books on Amazon as usual. They will be replaced as A&K gets to them, estimated to be in four month increments.

For now, I’m writing Felon with a Firearm feverishly!

Stay tuned for more news as it breaks!

Categories
Writer's Notes

Conferences: Considering a Conference?

2018-Redwood-Writers-Pen-to-Published-LogoX500_JBBy Catharine Bramkamp

January 26, 2018

When my boys were about seven, I thought it was time to take them to the Nutcracker. I had two choices: an hour’s commute to San Francisco for the ultimate Nutcracker experience at SF Ballet. Or a five-minute drive to a local performance.

Since I had no idea what the experience would be like, I opted for the local performance. If they loved it, we’d plan a trip to the city next year.

They did not love it.

Conference mythology promotes the idea that big or small, you will love the conference. You will love it in a box, you will love it with a fox, you will love it here or there.

But you may not love it there.

Which is a good reason to attend a conference, right here.

Writing conferences big and small are great. Most are focused on craft, promotion and marketing. You will meet agents and publishers, learn about social media, promotion and the publishing industry. You will also hear famous authors describe their books and how lucky they were to find an agent and have their book the focus of a publisher bidding war. Conferences give you the opportunity for chance encounters. And they offer a wealth of information that can be inspiring and lead you and your work in a new direction.

Larger conferences like the San Francisco Writer’s Conference or San Miguel Writer’s Conference are attractive and prestigious.  A larger conference attracts larger names and popular authors. Because you need to travel and spend the night there, the whole enterprise is surrounded by romance.  Who wouldn’t want to travel to San Francisco? Who wouldn’t want to rub shoulders with Wally Lamb?

But large conferences have their risks. Big conferences require investing big money – a thousand dollars or more.  Because of that investment, many conference attendees focus on wringing the maximum value for their money. And because authors often arrive with specific agendas, the atmosphere can get a little tense.

Walk into a smaller conference and you will find that the conference organizers are really happy to see you. You are not just a face in a crowd, you are a valued participant. Remember, if there is no one in the audience, the session speaker will feel like a failure and worse may not agree to return to this particular tiny conference regardless of the generous $99 honorarium (oh, and free lunch, often the speakers get lunch). Your presence is critical. You are important.

Like a larger conference, a smaller conference will be populated with influencers and helpful people. Unlike a larger conference, in a smaller venue, it’s easier to meet these people with more opportunities to chat.  You will meet authors like yourself who are interested in the same genres or marketing programs. These connections are sometimes the best ones you will make in your career. That fellow writer in the hard folding chair next to you may not become your new best friend, but she can become someone to exchange writing woes and tips with. She may become famous. You may become famous. You will both be able to say, “We are old friends.” That’s the networking part. That’s a powerful thing.

A smaller conference offers more comfortable and casual access to the speakers. You may sit next to the key note speaker at lunch. You may run into your session leader in the restroom (but do not shove your manuscript under the stall – true story).

You can talk with relatively famous authors and get the real scoop on their success as well as their lifestyle. A small conference offers the opportunity to get close and personal.

I love both. Larger conferences are big, glittering and exciting. I have lectured here and there. But the epiphany happened at the Sierra Writer’s Conference. The valuable friendship began over lunch at small conference in Oakland. My book series was published by a local company I met at the Redwood Writer’s Conference.

Ready to start your first conference?

Here are a few ideas starting with SF Writers Conference in San Francisco and working up 101 through a handful of smaller conferences.

 

San Francisco –https://sfwriters.org/

 

Marin – http://www.bookpassage.com/conferences

 

Sonoma County – http://redwoodwriters.org/2018-conference/

 

Mendocino county – http://mcwc.org

 

Sierra Foothills – http://www.sierrawritersconference.com/

 

Full disclosure: Catharine Bramkamp is the Conference Chair of the upcoming Pen to Published Writers Conference April 21, 2018. If you attend, you will meet her.

Because it’s small.

C Bramkamp author pic

Catharine Bramkamp  Chief Storytelling Officer
Mobile: 707 478 1855 Email: cbramkamp@gmail.com Website: www.YourBookStartsHere.com Website: www.NevadaCitySocialMedia.com

 

Categories
Ramblings by Hal The Call Box

Ramblings and the Call Box: Stations

 

By Hal Collier and Ed Meckle, both retired LAPD

Each police station has a character all its own. As they are occupied 24 hours a day, they endure a lot of wear and tear. They’re expensive to build, renovate and add-onto, so they often live on well past their pull-date. Here Hal and Ed share some memories from their past stations.

 

Ed worked in Police stations that were built before the depression and had long outlasted their use. Hal was a little luckier, he enjoyed the charm of the old stations and learned to dislike the new modern stations.

 

 

 

Subject: STATIONS

Ed Meckle 1956/1976

 

I don’t know that I spoke much about the station houses, all large stone monoliths, probably built turn of the century. According to rumor, the University was “sinking.”

 

I do know it was out of plumb. Most of the interior doors would not close and round objects rolled off desks. The stairway to the second floor was separated from the wall and gave the illusion of floating in air. 

 

staircase freeBuilding and safety department was quick to handle the problem, though—with a sign telling you to use the outer edge of the stairs. The sign was there the entire two and a half years that I was.

 

All houses were two story, patrol and jail down, detectives and juvie up. All houses were two story, patrol and jail down, detectives and juvie up. We naturally did not have A/C, but we did have one thing that I don’t believe the newer houses had—trustees and a lot of them. They had a shoeshine stand, ran the coffee room, assisted the property man, swept and mopped up, pumped gas and helped the mechanics with repairs. They were all misdemeanor sentenced prisoners and were selected sometimes due to experience, mechanics, etc. 

 

Working with a new partner one night, I saw him hug the trustee who pumped our gas. I asked, “What?”

 

 “That’s my dad–doing 30 days on a deuce,” he answered. “Mom asked me to keep an eye on him, so I arranged to have him sent here to University.”

 

~~~ 

 

Hal Collier 1970/2005

 

I was lucky. My first station was the old Hollywood station, also built around the depression. The men’s locker room was in the basement. The locker room had drains in the floor and red painted curbs. It used to be where the 3-wheel motorcycles were parked. You walked down a ramp to get to your locker. The lockers were, I suspect, WW-II surplus. They weren’t secured to the floor and we often would slide a partner’s locker, moving it so the officer couldn’t find it.

 

I arrived at Hollywood just after the 1971 earthquake. During aftershocks, it was common for the watch commander to run out into the street in case the building collapsed. There was no air conditioning and during hot summer nights all the windows were open. The front desk had a PBX radio with the cords you plugged into the lite light. It was connected to the call boxes in the street. Antique to say the least! The jail was a classic old-time jail, which provided hours of entertainment—for the officers—not those incarcerated.

 

Next door across the patio was another building which housed Hollywood Receiving Hospital. Just one doctor and a nurse. The receiving hospital was good for sewing a few stiches and not much else. It was a blessing for the cops because, if you got in a scuffle with an arrestee and he needed medical treatment, you didn’t have to go downtown.

 

Around 1977 they tore down the old station and built a new state of the art police station.

 

North Hwd Police Station newPardon me while I try to keep that statement down. It was all cement, not a window to look out of. If you wanted to see what kind of a day it was you had to step outside. Once a month the city would come out and test the backup generator. The computers all had to be shut off during the power interruption. They’d run the generator for five minutes then shut it off.

 

OLYMPUS DIGITAL CAMERAOne day—it was bound to happen—the power went out and the station went into darkness. The generator switched on and worked fine for five minutes then shut down. This modern, state-of-the-art police station was pitch dark inside. The only lights were the phone lights and they just told you that citizens were calling for assistance. The Watch Commander sent a rookie officer to Sav-on to buy all the candles they had. It seems that every month they tested the generator but forgot to refill the gasoline tank. Yep, it ran out of gas during a real emergency.

 

The first few years, the men’s locker room was huge. But the designers of the modern police station forgot one small detail. Women in police work. Soon the women’s locker room was too small. The city put a few lockers in an interview room in Detectives. The ladies needed a larger locker room which included a bathroom and showers. The city put Hollywood station on the bottom of the list and predicted we’d get an expanded locker room in 2 to 3 years. A few of the multi-talented officers sectioned off an area of the men’s locker room for the women.

 

Funny, the city then found the money and time to build the women’s locker room with a bathroom and showers.

 

There are newer stations as the LAPD expands but I’m not familiar with any of them.