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Writer's Notes

Conferences: Considering a Conference?

2018-Redwood-Writers-Pen-to-Published-LogoX500_JBBy Catharine Bramkamp

January 26, 2018

When my boys were about seven, I thought it was time to take them to the Nutcracker. I had two choices: an hour’s commute to San Francisco for the ultimate Nutcracker experience at SF Ballet. Or a five-minute drive to a local performance.

Since I had no idea what the experience would be like, I opted for the local performance. If they loved it, we’d plan a trip to the city next year.

They did not love it.

Conference mythology promotes the idea that big or small, you will love the conference. You will love it in a box, you will love it with a fox, you will love it here or there.

But you may not love it there.

Which is a good reason to attend a conference, right here.

Writing conferences big and small are great. Most are focused on craft, promotion and marketing. You will meet agents and publishers, learn about social media, promotion and the publishing industry. You will also hear famous authors describe their books and how lucky they were to find an agent and have their book the focus of a publisher bidding war. Conferences give you the opportunity for chance encounters. And they offer a wealth of information that can be inspiring and lead you and your work in a new direction.

Larger conferences like the San Francisco Writer’s Conference or San Miguel Writer’s Conference are attractive and prestigious.  A larger conference attracts larger names and popular authors. Because you need to travel and spend the night there, the whole enterprise is surrounded by romance.  Who wouldn’t want to travel to San Francisco? Who wouldn’t want to rub shoulders with Wally Lamb?

But large conferences have their risks. Big conferences require investing big money – a thousand dollars or more.  Because of that investment, many conference attendees focus on wringing the maximum value for their money. And because authors often arrive with specific agendas, the atmosphere can get a little tense.

Walk into a smaller conference and you will find that the conference organizers are really happy to see you. You are not just a face in a crowd, you are a valued participant. Remember, if there is no one in the audience, the session speaker will feel like a failure and worse may not agree to return to this particular tiny conference regardless of the generous $99 honorarium (oh, and free lunch, often the speakers get lunch). Your presence is critical. You are important.

Like a larger conference, a smaller conference will be populated with influencers and helpful people. Unlike a larger conference, in a smaller venue, it’s easier to meet these people with more opportunities to chat.  You will meet authors like yourself who are interested in the same genres or marketing programs. These connections are sometimes the best ones you will make in your career. That fellow writer in the hard folding chair next to you may not become your new best friend, but she can become someone to exchange writing woes and tips with. She may become famous. You may become famous. You will both be able to say, “We are old friends.” That’s the networking part. That’s a powerful thing.

A smaller conference offers more comfortable and casual access to the speakers. You may sit next to the key note speaker at lunch. You may run into your session leader in the restroom (but do not shove your manuscript under the stall – true story).

You can talk with relatively famous authors and get the real scoop on their success as well as their lifestyle. A small conference offers the opportunity to get close and personal.

I love both. Larger conferences are big, glittering and exciting. I have lectured here and there. But the epiphany happened at the Sierra Writer’s Conference. The valuable friendship began over lunch at small conference in Oakland. My book series was published by a local company I met at the Redwood Writer’s Conference.

Ready to start your first conference?

Here are a few ideas starting with SF Writers Conference in San Francisco and working up 101 through a handful of smaller conferences.

 

San Francisco –https://sfwriters.org/

 

Marin – http://www.bookpassage.com/conferences

 

Sonoma County – http://redwoodwriters.org/2018-conference/

 

Mendocino county – http://mcwc.org

 

Sierra Foothills – http://www.sierrawritersconference.com/

 

Full disclosure: Catharine Bramkamp is the Conference Chair of the upcoming Pen to Published Writers Conference April 21, 2018. If you attend, you will meet her.

Because it’s small.

C Bramkamp author pic

Catharine Bramkamp  Chief Storytelling Officer
Mobile: 707 478 1855 Email: cbramkamp@gmail.com Website: www.YourBookStartsHere.com Website: www.NevadaCitySocialMedia.com

 

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Writer's Notes

Multi-tasking: Catharine Bramkamp

Multi-tasking – the Home Game

Bramkamp picBy Catharine Bramkamp

It is currently understood that it takes 20 minutes or more to re-focus your attention after a distraction (I read that on an email).  Every time we hear a ping, we react.  We not only lose a few minutes on the distraction, but we forfeit many more precious minutes mulling over the new information, processing it, then fighting our way back to the task at hand.  Just when we hit the  creative zone again, ping!  It could be another friend in Tanzania who lost her wallet or it could be an agent responding to our query of seven months ago. Already distracted; we open another email.

 

Reacting itself is addicting.  Reacting is busy. We look busy, we feel busy. We respond to email and notifications while listening in on a conference call and editing an article due in an hour.  Our Puritan ancestors would be thrilled –    knit while you pray, talk while you plant – read the bible during those long cart rides to the next village. Theirs and our philosophy is essentially: multitasker can’t get in trouble.  We are too unfocused and distracted to do any harm. You light multiple fires in the morning and the spend the afternoon stamping them to ash.

In the first Apple Computer ad, a buffed woman threw a big hammer into an enormous screen. It was a big deal. 2007, the year of the iPhone launch, was another such big moment; the moment our attention splintered into a thousand little pieces. Who knew that original Apple metaphor would be so portentous?  The competition for our attention is fierce and we are told to believe that resistance is futile. Do three things at once, answer all texts immediately.  Snap to it!

But after a day of reacting, we often find we didn’t accomplish much of anything worthwhile, and yet we are not only too tired to get into trouble, we are too exhausted to protest.

Should we protest? Multitasking has its own rewards.  Reacting to new stimulus is fun.  Long projects requiring attention and sustained work, can be boring and overwhelming.  Even getting into trouble demands some kind of plan.

If all the small distractions of the day are more compelling than the large task you claim is important, it may be time to scrutinize that large task.

You can use all the blocking codes and systems you like that offer a distraction free environment for hours at a time (there are many to choose from which should tell us something) , but if you aren’t dedicated to the project and willing to go dive deep into your creative  zone, maybe the compulsion to multitask is a sign that the idea or project before you isn’t  enough. Maybe you just aren’t into it – yet.

Like wrenching ourselves away from Facebook, it takes more than a few minutes to return to a creative zone.  Give those large projects hours of work, like three distraction free hours.  That will help you decide that you love it, and the hours spent have been satisfying and productive. Or those hours were as painful as preparing to rip off a band-aid.

We would do well by ourselves and our own efforts if we separated the Task from the Multi. Determine what is truly important, or better, what you love.  Move the project along or move it out of the to do list.

Avoiding a project contributes to our compulsion to privilege distraction over deliverables. No distraction-free, increase productivity, creative zone guarantee program can help if you aren’t committed to the project itself. An hour or two focusing on a single project can be the best way to start repairing the shattered glass of your attention without bleeding out.

  ~~~

 

C Bramkamp author pic
Catharine Bramkamp

Catharine Bramkamp holds an MA in Creative Writing, a BA in English and a professional certificate in Social Media. She has written 17 novels and 3 books on writing. Her poetry has been included in a dozen anthologies including And the Beats Go On (she was editor as well) and the chapbook Ammonia Sunrise (Finishing Line Press). Her current book – Don’t Write Like We Talk is based on her co-producer experience creating 200 plus episodes of the Newbie Writers Podcast. She is the Chief Storytelling Officer for technical companies because everyone has a story.

 

Bramkamp pic

https://www.amazon.com/dp/B071G4TYZ1/ref=sr_1_1?ie=UTF8&qid=1496861187&sr=8-1&keywords=Damien+Boath

Catharine Bramkamp
Writing Coach, Podcast Producer, Chief Storytelling Officer
707 478 1855 //http://www.YourBookStartsHere.com //cbramkamp@gmail.com

www.Yourbookstartshere.com