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Writer's Notes

Writers’ Clubs: Why We Need Them

The Importance of Community OR Why We Need Writer’s Clubs
By Leeann Betts

I thought I could do this on my own.

Seriously. I envisioned sitting at my desk, pecking away at the keyboard for hours a day, producing the next Great American Novel. No editing needed. I don’t know how I thought they’d be published—just that some elusive publisher would snatch up every book I wrote and run with it. Oh yes, besides writing, I’d go to the post office box and collect my royalty checks.

The life of a writer 

Not.

I wrote my first novel in 2002, and before I even got to the end of it, I realized that I didn’t know whodunit or why. I went to the library and checked out some books on writing a novel, writing a mystery, and crafting a bestselling novel. Devoured those books. Learned a lot. Finished that first novel and—according to the books I read—I revised and polished and sent it out.

And got rejected. Over and over again. “Not a fit”: means they already have enough badly-written mysteries. “Compelling premise”: means they like the idea but the book didn’t deliver. “Perhaps you should attend a writing conference and join a critique group”—aha! the first piece of useful information.

But I didn’t know about critique groups. I mean, who wants to be criticized? I went to the first conference I could find in my area and learned about critique groups from attendees. I joined an online critique group through a national organization I also joined as a result of that conference, and received invaluable information. I joined a couple of smaller, local writers groups and went to their critique groups. Once, when I traveled out of town, I even attended a critique group in another city just to see how they operated.

I learned a lot from my membership in both the national organization, the local chapter, and the critique groups I took part in. If you’re struggling with why you should join, or if you should renew, here are some things to consider:

1. You can’t do this alone. Sure, you can try, but there is simply too much information out there to be able to pick and choose what you need to know.
2. You shouldn’t do this alone. You might have something to encourage somebody else or steer them in the right direction.
3. You need a shoulder to cry on. Or somebody else might need one. When the rejections get nasty. When the revisions get messy. When the stories get old. Or the muse doesn’t show up and you have a deadline.
4. You are more than a writer. As an author, you also need to be a cover designer, a typesetter, a copywriter, a marketing specialist, an accountant—and if you aren’t, community helps.
5. Membership will help you grow. As a person, as an author, as a businessperson. Joining a writer’s group will get you involved doing things you might not want to do, like serving on a board, or organizing an event, or getting on social media.
6. Connecting with other writers will pay off. I made contacts for book deals at several conferences, and heard about a publisher who was looking for a specific kind of story at a local writers meeting.

The dollars I pay each year for membership in groups pales in comparison with the value I receive. I’m a member of several writer’s clubs, because they each offer something different in terms of community, expertise, and activities. I couldn’t do what I do without them—and honestly, although I’m in introvert and meeting with large groups of people is sometimes awkward and uncomfortable—I push myself to step out. I never know where my next contract or friend will show up.

aaaLeeann Betts_02 croppedAbout Leeann:
Leeann Betts writes contemporary suspense, while her real-life persona, Donna Schlachter, pens historical suspense. She has released seven titles in her cozy mystery series, By the Numbers, with number 8, A Deadly Dissolution, releasing in June. In addition, Leeann has written a devotional for accountants, bookkeepers, and financial folk, Counting the Days, and with her real-life persona, Donna Schlachter, has published two books on writing, Nuggets of Writing Gold and More Nuggets of Writing Gold, a compilation of essays, articles, and exercises on the craft. She publishes a free quarterly newsletter that includes a book review and articles on writing and books of interest to readers and writers. You can subscribe at http://www.LeeannBetts.com or follow Leeann at http://www.AllBettsAreOff.wordpress.com All books are available on Amazon.com in digital and print, and at Smashwords.com in digital format.

Website: http://www.LeeannBetts.com Receive a free ebook just for signing up for our quarterly newsletter.
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A Deadly Dissolution coverAbout A Deadly Dissolution:
The total lunar eclipse of October 2004 leaves more than Bear Cove, Maine, in the dark. The town’s newly-elected mayor, Walter Akerman, hires Carly to audit the town’s books but is then caught in a compromising situation with his secretary Evie Mack. A journalist in town to cover the eclipse turns up dead. Tom and Sarah’s adopted son Bradley comes to stay overnight to see the eclipse, then goes missing on a walk in town. When Mike’s car is in a serious wreck which the police say is an accident, Carly thinks somebody is trying to send her a message to stay away. How can she solve all these mysteries while not completely wearing herself to a frazzle?

 

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Writer's Notes

Writers’ Contests Count

By Thonie Hevron

PSWA-stickerEntering contests are a no-brainer for me. I can directly attribute my entry into the realm of traditional publishing (albeit a small press) to winning a contest. I’ll bet many authors could say the same.

In 2012, I entered my unpublished manuscript, working title Probable Cause, in the Public Safety Writers Contest (PSWA). I won third place in my category-unpublished novel. Now re-named, By Force or Fear, I soon self-published it on Smashwords as an eBook, in the hopes of getting enough money together to do a print version. Meanwhile, I worked on mapping out the second book of the Nick and Meredith Mysteries (I’m a compulsive plotter).

After months of writing, querying, submitting and all-around frustration, I entered my novel, in a contest at Oak Tree Publishing (OTP). Oak Tree had recently published an anthology for the PSWA, so I thought it would be worth a chance. I was stunned when I won. First prize was publication of the winning book. I’d entered my second Nick and Meredith Mystery, Intent to Hold. It had just won second place in unpublished novel category the PSWA’s 2014 Writers’ Contest. After a polishing up, my new publisher agreed to publish the first novel, now renamed By Force or Fear.

aklogo-web_origAs events progressed, both novels with Oak Tree Press went to press with the third, With Malice Aforethought, in contract. Sadly, Oak Tree’s production has fallen into limbo with the ongoing health issues of its publisher, Billie Johnson. Johnson offered many OTP authors their rights, so I took mine. The short version of this story is I now have another publisher, Aakenbaaken & Kent, with whom I’m very pleased. I’m currently working on another Nick and Meredith Mystery, working title, Felon with a Firearm. I’m hustling to get it finished for the next PSWA writing contest that opens in May.

East Texas Writers Guild Book Award 3rd place 2015I’m also looking into other places to submit my work for competition. In 2015, the East Texas Writers Guild awarded Malice third place in “Best First Chapter” category. There are many more contests in which to submit your work. Start with a Google search: I use “mystery contests.” It helps to search within your genre.

Contests count. They give the author credibility. Winning a contest means someone other than your mother likes your work. Agents and publishers look at winners differently. It’s a terrific marketing tactic to use, “Winner of the Agatha Award” on the book cover. But for me, it’s a wonderful confidence booster to win a writing contest. Winning motivates me to work harder for the next entry. It also helps me to set goals. Having a first draft by May 1st, the usual deadline for PSWA’s contest, is a typical goal. I’ll make Felon the fourth try to come in better than Malice’s second place in 2016.

This month, Romance author Donna Schlachter will weigh in on Do’s and Don’ts in Contests. J.L. Greger, author of several science-based mysteries asks, “Do You Feel Lucky?” February will end with thoughts from a prolific children’s author, Natasha Yim, the chair of the Redwood Writers Club (California Writers Club branch in Sonoma County) Contests. Posts are up every Friday at 6 A.M. on Just the Facts, Ma’am, Writer’s Notes.

Think about entering a contest. You can’t lose anything more than a few bucks–some are even free. A contest might jump-start flagging progress on your WIP, you could set and meet realistic goals, or even better yet, you could win!

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Writer's Notes

Conferences: Choosing the Right Conference for You by Donna Schlachter

By Donna Schlachter

Mystery of Christmas Inn coverAs writers, we spend many hours in solitude, pecking away at the keyboard, looking up information on the Internet, or researching at the library. Conference season gives us the chance to come out of the office and get with like-minded writers.

Depending on where you live, how much time you have available, and how much money you can invest, there are many conference choices available. Finding a conference is never the problem—choosing which one or two or three to attend is.

Here is a checklist to consider as you read conference websites, newsletters, and brochures

 

  1. Where is the conference being held, and have I always wanted to go there? If you can tie the travel to the conference in with your current work-in-process or perhaps the next planned novel, that is even better.
  2. Is the keynote speaker someone I’ve always wanted to hear? If so, perhaps this conference is for you. Research author credibility, publishing history, genre, and personality if you don’t recognize the keynote speaker.
  3. What do I expect to learn from the workshops? Repeating the same workshops conference after conference won’t be the best use of your investment. Don’t automatically sign up for workshops because they fit your genre—consider sitting in on some classes that you wouldn’t normally choose. At one conference, I went to a class on writing horror and discovered some really spooky traits to add to my antagonists even though I write suspense.
  4. What else can I accomplish while I’m there? Perhaps there is an afternoon of workshops that you aren’t particularly interested in. Use the time to visit museums or attractions that work into your novel. Plan to arrive early or stay after if you absolutely must attend every class.
  5. Does the conference include sessions where I will write or do homework? If so, this is probably a good choice. Imagine: a writers conference where you actually write.
  6. Does the conference have a track that corresponds with my genre, and if not, is there something else I want to learn besides craft at this conference?

 

Suppose you have two conferences but can only afford to go to one. How to choose without making money the only deciding factor?

  1. Mark every class at both conferences and see which one offers you the most opportunities to learn.
  2. Does one conference offer their sessions on CD or DVD while the other doesn’t? If so, perhaps attend the one and buy the CD’s of the other.
  3. Have you attended one of the conferences several times? Sure, it’s nice to renew old friendships, but perhaps this is the year to step out and make new friends.
  4. Are you looking for an agent or a publisher? Which conference offers your more opportunities to make that connection?

 

No matter which conference(s) you attend this year, be sure to have fun, talk to people you don’t know, take lots of notes, and come home recommitted to finishing your project and moving on to the next one. Never get so busy going to conferences that you don’t have time to write.

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Getting some great ideas about your next conference? Have you narrowed them down? Leave a comment, let us know!
—Thonie

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Mystery of Christmas Inn coverAbout The Mystery of Christmas Inn, Colorado:

Matthew returns to Christmas Inn to celebrate his fortieth anniversary alone, intending to take his own life so he can join his beloved Sarah, who passed on to glory the previous January. Not certain how—or if—he will go on without her, Matthew learns on his arrival that the old inn will close its doors on New Year’s Eve. A developer has purchased the building and intends to tear it down and put up a chain hotel. Determined to keep his memories and his connection to Sarah alive, Matthew embarks on a harebrained scheme to keep the inn open.

Edith Cochrane, a widow, comes to Christmas Inn because she has nowhere else to spend the holidays. Her children are angry with her because she refuses to choose to live with one of them. Edith and her husband enjoyed a long marriage and a long mission-field ministry, but ever since his passing the previous year, Edith has found herself at loose ends. She comes to Christmas Inn to spend some time thinking about her options.

~~

Christmas under the stars coverAbout Christmas Under the Stars:

November 1858, Utah Territory

Edie Meredith strives to keep her temper and her tongue under control as she heads west with her brother to California. Raised in an itinerant preacher family, she promises she will never marry a man of the cloth.

Tom Aiken, drover of the wagon train, longs to answer his true calling: to preach, and while he realizes not every woman would choose a preacher for a husband, he hopes to soon find his help-meet.

Suspicious ‘accidents’ plague their journey. Is someone trying to keep them from reaching their destination? Or will misunderstanding and circumstances keep them apart?

~~

 

Schlachter DSCF1330_Donna
Donna Schlachter

About Donna:

 

Donna lives in Denver with husband Patrick, her first-line editor and biggest fan. She writes historical suspense under her own name, and contemporary suspense under her alter ego of Leeann Betts. She is a hybrid publisher who has published a number of books under her pen name and under her own name. She is a member of American Christian Fiction Writers and Sisters in Crime; facilitates a local critique group, and teaches writing classes and courses. Donna is also a ghostwriter and editor of fiction and non-fiction, and judges in a number of writing contests. She loves history and research, and travels extensively for both. Donna is proud to be represented by Terrie Wolf of AKA Literary Management.

 

 

www.HiStoryThruTheAges.wordpress.com

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