Categories
Roll Call

Roll Call: Northeast Vice and the Loanee

By Mikey, Retired LAPD

Sunset BlvdWhen you are assigned to patrol on the LAPD, it’s mostly working the field with a lot of coppers. The situation also depends on the watch and division as well as the number of units in the field. In specialized unit assignments, the number of coppers is limited, depending on the task. I worked Northeast Division vice from 1978-1980. We had two supervisors and eight vice officers. In 1979, both of our supervisors took vacation at the same time, so patrol loaned us a patrol sergeant to watch over us. Now this supervisor wanted to make good on his loan, so he was very critical about us “doing it right.” I think you can see where this is going.

We are working hookers on Sunset Boulevard. Taking it one step further, we have a cab, yellow in color, with everything intact, the roof light, and a radio and a meter that actually works! I’m the driver and Gary from patrol is on loan to us—he looks very Asian Indian, dark complexion and his accent (made up) is spot on. Then we added a turban and we have a “trick” ready step out.

HookersThe first hooker to go down bought Gary’s accent and his want of “Elpoah.” That was a made-up thing, but the girls knew what he wanted. After a couple of arrests, the word got out. We hit a dry spell, Gary got out, and were about to call it when the sergeant asked me to drive the boulevard to check for any girls.

I stopped for a light at Sunset and Bronson and was sitting there when the back door flew opened and a woman said, “Highland and Melrose.”
Crap, hadn’t locked the door!

In the rear-view mirror, I saw a heavy-set woman and a skinny dude. Well, I am driving a cab and they don’t know I’m the heat, sooooo, I hit the meter and proceeded to Highland and Melrose. I pulled to the curve at the destination and the lady hands me $5.00 and says, “Keep the change.”

Heck, I hadn’t thought about that, making change. So, with the fare and tip, I proceeded back to the staging area and reported to the sergeant that no hookers were present, and I got a fare and a tip.

police yellling (2)_LI

The sergeant’s water broke, and he started his period, at the same time, right there and proceeded to melt down. “G#d D—n it, G#d D—n it, holy s**t, G#d D—n it!!! You, you, G#d D—n it!” This went on for what seemed a very long time but was 2-3 minutes.

The paper work was worth it!

~~~

During this time of the sergeant’s loan, it was Super Bowl time. The unit gets a tip that a certain bar in the division is getting kickbacks or “Vigorish” from customers who bet on sports pools. Vigorish is “a charge paid on a bet,” illegal in California.

So, two of the senior vice coppers are assigned to enter the bar, look the pool chart over, see what the pay off is at the end of a quarter and do the math. If the figures don’t add up and a “charge” is apparent, you’ve got Vigorish. The vice guys enter the bar as the remainder of the unit sets up outside in plain cars and “Code 5,” or stake out. We are listening to the game and shortly after the first quarter the coppers approach the sergeant’s car. We all duck into and alley to hear what the coppers have discovered.

They tell us that there is no Vigorish and that, wait for it…………they had won $125.00!

Yeah, they bought a square and won!

graphicstock-illustration-of-a-cartoon-angry-policeman-cop-_rFR6Esf2Kb_thumb“G#d D—n it, G#d D—n it, holy s**t, G#d D—n it!!! You, you, G#d D—n it!”

The two coppers told us that the paper work was worth it. Our supervisors came back from vacation and the loan sergeant went back to patrol. I don’t think he looked at the vice unit the same way as when he first started his loan.

Besides he looked better in uniform.

Categories
Writer's Notes

Conferences: An Overview by Michele Drier

By Michele Drier

M Drier ASHES_cover_eBook_final-1I’m not even sure when I first attended a conference. It was probably better than forty years ago. It was a conference on Women’s Rights (I’d been appointed to the Attorney General’s Commission on Women’s Rights by my state senator) and the guest speakers were Delores Huerta and Jane Fonda.

Funnily enough, even with that lineup, it’s an issue that’s still headline-making today.

Since then I’ve attended conferences, been a panel moderator and panelist, convened state-wide panels and put on conferences in the areas of the arts, affordable housing and homelessness, and recognizing and preventing elder abuse.

And in the last six years, since I published my first book, conferences on mystery reading and writing.

Though the underlying topics differ, the basic format stays similar. Headliners speak, or are interviewed, awards are given, experts speak on issues, and most, important, attendees mix, mingle and meet people.

Hands-down, authors are the kindest, most open people I’ve met in years of conference-going. They’ll take the time to talk to a fan, or an aspiring author, in the stairwell, the restrooms, the bar, the elevators.

Beyond the “names,” conferences are a great place to meet people, make friends and that over-used word, “network.” As an attendee you’ll talk to people just like you who are looking for an agent, trying to figure out marketing, discover good software to use for plotting, weigh the pro and cons of traditional vs. indie publishing.  There’s a wealth of information and help available for up to four days in one place, and it’s yours to take advantage of. Read the panel descriptions, look up the panelist’s bios, attend the publisher-sponsored hospitality events.

 

M Drier toronto panel
Bouchercon 2017 in Toronto-panel

 

To keep down the cost, consider sharing a room with someone—even someone you don’t know! I shared a room a few years ago at Malice with Polly Iyer, a writer I only knew through the online Sisters in Crime group, the Guppies.  What a delight! Witty, wry, a dynamite writer and now a good friend. The only drawback is that we live about 3,000 miles from one another. And in October, at Bouchercon 2017 in Toronto, I shared a room with Mo Walsh, the president of the New England chapter of MWA.

 

Writer’s conferences range from one-day, small (Capitol Crimes, my local Sisters in Crime chapter does a single-day workshop bi-annually that attracts about 90 writers) to large, four-day affairs (Bouchercon 2016 in New Orleans had 2,000 attendees).

Attending conferences for me pays double duty. I was the president of the Sisters in Crime Guppy chapter for two years and “knew” about 650 people scattered across the country (and in Europe). Thanks to some conferences, I’ve met many of them, including Sheila Connolly, whose adventures in owning an Irish cottage I’ve been following.

If you’re overwhelmed by large crowds, pick a small one first. California Crime Writers in L.A., (in Southern California, bi-annual, limit of 200 attendee); Public Safety Writers, annual, Las Vegas; Malice Domestic in Bethesda, MD (they’ve been keeping it to about 500); Killer Nashville. On the Right Coast is New England Crimebake, that they keep to 250.

Even Left Coast Crime, at about 800 registrants, is edging up. Then the large ones: Bouchercon at about 1,500 and Thrillerfest…I don’t even know.

But don’t be put off, there’s a lot of information out there and hundreds of compatriots who now look like old hands. But they, too, made that first step and registered for a conference.

There are hundreds of them all across the county, not to mention CrimeFest in Bristol, England and Bloody Scotland. Oh, I’d love to do those!

Full disclosure: I’m the co-chair for Boucheron 2020 in Sacramento, I’ll be at Left Coast Crime in Reno in March, 2018 and, because I also write paranormal romance, at the Romance Writers’ of America conference in May 2018. Whew.

~~~~~~~~~~~~~~~~~

January 2018 will feature four more posts about conferences-large and small. Narrowed your conference $$ down? Leave a comment, let us know!
—Thonie

~~~~~~~~~~~~~~~~~~

 Michelle DrierMichele Drier was born in Santa Cruz and is a fifth generation Californian. During her career in journalism—as a reporter and editor at daily newspapers—she won awards for producing investigative series.

She is the president of Capitol Crimes, the Sacramento chapter of Sisters in Crime, and the co-chair of Bouchercon 2020.

Her Amy Hobbes Newspaper Mysteries are Edited for Death, (called “Riveting and much recommended” by the Midwest Book Review), Labeled for Death and Delta for Death, and a stand-alone thriller, Ashes of Memories, published in 2017.

Her paranormal romance series, The Kandesky Vampire Chronicles, has consistently won awards and was the best paranormal vampire series of 2014 from the Paranormal Romance Guild. The series is SNAP: The World Unfolds, SNAP: New Talent, Plague: A Love Story, Danube: A Tale of Murder, SNAP: Love for Blood, SNAP: Happily Ever After?, SNAP: White Nights,  SNAP: All That Jazz, and SNAP: I, Vampire.

 

Visit her facebook page, http://www.facebook.com/AuthorMicheleDrier, her website www.micheledrier.com or her Amazon author page, http://www.amazon.com/Michele-Drier/e/B005D2YC8G/

 

 

Categories
Roll Call

A Christmas Story from Mikey

 

A CHRISTMAS STORY
Written December 24th, 2007

cop christmas treeFor the last ten years, I have worked Christmas Eve for any young sergeant who should be home with his wife and babies. They don’t know until December 23rd, and then I tell the chosen one, “I got it.” Tonight, is the last one for me. I will be 6L20 watch 3. Start of watch is 1815 until 0700 Christmas Day. I got a true story to tell you about Christmas Eve 1992. Its’ a really good one.

I was set to work with another sergeant and a lieutenant at Rampart Division. The other sergeant was Brenda Gordon who had an umpteenth number of family in from out of town and pleaded and begged as she might, she did not get the night off. The LT., Mike Mines and I are car pooling so enroute to the station I convince him that I can handle the street supervision myself and Brenda should stay home. He agrees and when we get to the station, we call Brenda. She cries like a baby. When her family asked why she was crying, she told them. Her family went nuts; made Mike and me feel good.

About 2030 (8:30 PM), Mike calls me into the station and tells me that there are several gifts still under the Christmas tree in the station lobby and I should find some kids to give them to. I get the gifts out and see that there are 4, two marked “girl” and two marked “boy.” Now before I get to do my Santa thing, I want to smoke a Christmas cigar I’d been saving.

woman pushing carHere is where it gets good, but at the time I did not know it was good. There are several hills in Rampart that allow some cool views of downtown L.A., so I go looking for one to enjoy the view and have that smoke. I found myself going up a side street off Temple Street that I’d never been on before and could see that I was going to have a really neat view of downtown. The street is steep, so I know I will get a great view. About three quarters of the way up I see this small-framed woman pushing a shopping cart up the hill. Well heck, I am there to “Protect and Serve,” so I stop the cruiser and get out to help. The look on her face told me I was the last thing she expected.

We get to the top of the hill and for the first time I see two little girls, maybe 4 and 5 years old tagging along behind her. Their little noses are running and their hair is in disarray and they are wearing shawls instead of sweaters. It was a cold night.

Boom, the light comes on and I say, “Wait here.” This is all spoken in Spanish from here on and lucky for me I know just enough to embarrass myself. I get the two “girl” packages from my car and start walking toward the three waiting up the hill. As I get to the girls I say, “Merry Christmas” and hand the gifts to them. They are holding on to each other and look at mom. Mom has her hands over her mouth and she is trembling. She nods and gestures to them to take the gifts. They do, and I turn and ask if she has any more babies and she says, “two boys.” Heck, I got some for them too and go back to the car. When I get back to mom, she is crying softly, and the girls are smiling just a big as they can and just cradling those gifts. I place the boys’ gifts in her basket, which I see now contains clothes, either for washing or ironing.

When I turn to say goodbye, mom grabs my left hand and starts kissing it! She is still crying and starts with in Spanish, “Christ, oh thank you. Christ, oh thank you. Father, thank you. Thank you, Christ. Bless you sir. Bless you, sir. Father, oh Father, thank you.”

Guess what, this cold, tired middle-aged sergeant brought their only Christmas to these folks. Actually, I didn’t. Go figure, four gifts, the timing, the unfamiliar street, two girls, two boys. I got in my car and started driving off, when I looked in my review mirror, mom was crossing herself and did so until I couldn’t see her any more. Couldn’t tell that story without crying for many years. Wonder if the little girls remember that Christmas Eve when a sinner (I’m only human) brought them Christmas in the back of a Black and White. The whole thing did not hit me until hours later. Tonight, I just might take my cruiser to Rampart and finally have that cigar that I missed on that hill Christmas Eve, 1992.

Merry Christmaschristmas1

Mikey, 6L20

 

Categories
The Call Box

Call Box: Detective Story, The Real Deal, part 2

By Ed Meckle, Retired LAPD

Badge_of_a_Los_Angeles_Police_Department_detective_(2434)If only it were that easy and glamorous.

Your average detective drowns in paper/computer reports. He/she is assigned a specialty such as homicide or robbery. Crimes are usually broken down by type, burglary (either residential or business), auto theft, theft from vehicle or forgery.

First thing in the morning:
You must check for arrestees assigned to your team. They are either questioned and released, held for further investigation with strict time constraints or submitted to the D.A. for charges to be filed.

You also may have to transport your own prisoner to a different lock-up.

You must read the overnight reports to see if anything requires immediate attention.

If you have a heavy case load you are probably in court several days a week.

You must find time to re-interview all victims and witnesses and serve all subpoenas for your court cases.

You must keep abreast of all deadlines for required reporting.

You must be prepared to respond to any and all calls for service.

f prints magnifierTelling the lieutenant, “That’s not my field/specialty/responsibility/job,” earns the response, “There is nobody else available, handle it. Like it or not, you are a good soldier. You do what you must.”

Not only does the fictional detective get the bad guy, he does it with time out for commercials. In real life, our clearance rates vary by crime but are never as good as the T.V. cop’s.

Categories
Writer's Notes

Conferences: Choosing the Right Conference for You by Donna Schlachter

By Donna Schlachter

Mystery of Christmas Inn coverAs writers, we spend many hours in solitude, pecking away at the keyboard, looking up information on the Internet, or researching at the library. Conference season gives us the chance to come out of the office and get with like-minded writers.

Depending on where you live, how much time you have available, and how much money you can invest, there are many conference choices available. Finding a conference is never the problem—choosing which one or two or three to attend is.

Here is a checklist to consider as you read conference websites, newsletters, and brochures

 

  1. Where is the conference being held, and have I always wanted to go there? If you can tie the travel to the conference in with your current work-in-process or perhaps the next planned novel, that is even better.
  2. Is the keynote speaker someone I’ve always wanted to hear? If so, perhaps this conference is for you. Research author credibility, publishing history, genre, and personality if you don’t recognize the keynote speaker.
  3. What do I expect to learn from the workshops? Repeating the same workshops conference after conference won’t be the best use of your investment. Don’t automatically sign up for workshops because they fit your genre—consider sitting in on some classes that you wouldn’t normally choose. At one conference, I went to a class on writing horror and discovered some really spooky traits to add to my antagonists even though I write suspense.
  4. What else can I accomplish while I’m there? Perhaps there is an afternoon of workshops that you aren’t particularly interested in. Use the time to visit museums or attractions that work into your novel. Plan to arrive early or stay after if you absolutely must attend every class.
  5. Does the conference include sessions where I will write or do homework? If so, this is probably a good choice. Imagine: a writers conference where you actually write.
  6. Does the conference have a track that corresponds with my genre, and if not, is there something else I want to learn besides craft at this conference?

 

Suppose you have two conferences but can only afford to go to one. How to choose without making money the only deciding factor?

  1. Mark every class at both conferences and see which one offers you the most opportunities to learn.
  2. Does one conference offer their sessions on CD or DVD while the other doesn’t? If so, perhaps attend the one and buy the CD’s of the other.
  3. Have you attended one of the conferences several times? Sure, it’s nice to renew old friendships, but perhaps this is the year to step out and make new friends.
  4. Are you looking for an agent or a publisher? Which conference offers your more opportunities to make that connection?

 

No matter which conference(s) you attend this year, be sure to have fun, talk to people you don’t know, take lots of notes, and come home recommitted to finishing your project and moving on to the next one. Never get so busy going to conferences that you don’t have time to write.

~~~~~~~~~~~~~~~~~~~~

Getting some great ideas about your next conference? Have you narrowed them down? Leave a comment, let us know!
—Thonie

~~~~~~~~~~~~~~~~~~~~

Mystery of Christmas Inn coverAbout The Mystery of Christmas Inn, Colorado:

Matthew returns to Christmas Inn to celebrate his fortieth anniversary alone, intending to take his own life so he can join his beloved Sarah, who passed on to glory the previous January. Not certain how—or if—he will go on without her, Matthew learns on his arrival that the old inn will close its doors on New Year’s Eve. A developer has purchased the building and intends to tear it down and put up a chain hotel. Determined to keep his memories and his connection to Sarah alive, Matthew embarks on a harebrained scheme to keep the inn open.

Edith Cochrane, a widow, comes to Christmas Inn because she has nowhere else to spend the holidays. Her children are angry with her because she refuses to choose to live with one of them. Edith and her husband enjoyed a long marriage and a long mission-field ministry, but ever since his passing the previous year, Edith has found herself at loose ends. She comes to Christmas Inn to spend some time thinking about her options.

~~

Christmas under the stars coverAbout Christmas Under the Stars:

November 1858, Utah Territory

Edie Meredith strives to keep her temper and her tongue under control as she heads west with her brother to California. Raised in an itinerant preacher family, she promises she will never marry a man of the cloth.

Tom Aiken, drover of the wagon train, longs to answer his true calling: to preach, and while he realizes not every woman would choose a preacher for a husband, he hopes to soon find his help-meet.

Suspicious ‘accidents’ plague their journey. Is someone trying to keep them from reaching their destination? Or will misunderstanding and circumstances keep them apart?

~~

 

Schlachter DSCF1330_Donna
Donna Schlachter

About Donna:

 

Donna lives in Denver with husband Patrick, her first-line editor and biggest fan. She writes historical suspense under her own name, and contemporary suspense under her alter ego of Leeann Betts. She is a hybrid publisher who has published a number of books under her pen name and under her own name. She is a member of American Christian Fiction Writers and Sisters in Crime; facilitates a local critique group, and teaches writing classes and courses. Donna is also a ghostwriter and editor of fiction and non-fiction, and judges in a number of writing contests. She loves history and research, and travels extensively for both. Donna is proud to be represented by Terrie Wolf of AKA Literary Management.

 

 

www.HiStoryThruTheAges.wordpress.com

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Categories
Ramblings by Hal

Ramblings: An Overwhelming Traffic Collision

By Hal Collier, Retired LAPD

Barham off r universal-city-ramp-002-jpg-20150104Did you ever have a traffic accident that was just overwhelming? This occurred in the mid 70’s and as usual I’m working graveyard shift. I’ll describe the scene for you. The Hollywood Freeway (aka 101 Freeway) winds through the Cahuenga Pass.  Cal Trans has closed the entire southbound lanes for pavement repair. Everyone has to exit the Cahuenga Boulevard exit which has a stop sign at the bottom of the ramp. Cal Trans has started closing down lanes at Barham and funneling everyone down to one lane by Cahuenga.

 About 2:30 AM, a semi-truck loaded with strawberries from the Central California barrels down the Cahuenga off ramp. About half way down, the driver realizes there’s a stop sign at the bottom of the ramp. Now, this truck is still at freeway speeds when he attempts to make a hard right turn. Well, you guessed it—the trailer flipped over on its side. The driver was ok but the load inside the trailer began to smoke. Of course, the fire department came out and sprayed that foam that they carry in the fire truck.

Isuzu_truck_overturnedNow the trailer is open, and the concerned citizens didn’t want to see the free strawberries go to waste. The fire captain advised me that the foam they have sprayed will give anyone who eats the strawberries a bad case of diarrhea.

My partner and I chase off the strawberry lovers, but we now have a new problem. The entire Hollywood freeway is still coming down the off ramp. Now, they can’t turn right on Cahuenga. We start directing them northbound. That seemed to work for cars and small trucks. Semi-trucks couldn’t make the turn, so we had to have them back up Cahuenga. This turned into a traffic nightmare.

To complicate matters some of the fine Hollywood citizens were stealing the strawberry flats. Hope they have more than one bathroom and lots of toilet paper. 

We decide to have Cal Trans open the freeway. The foreman tells us he can’t open the freeway until 5:00 AM. That’s 2 1/2 hours away. We need another plan. Hey, lets close the freeway off ramp at Highland Avenue.September_26,_2007_accident,_highway_9,_CT,_flipped_truck

Bill Barren, my partner in hell that night, and I jumped into our lowest-bid city police car. We drove north on Cahuenga to head off the morning rush hour traffic jam. Now, Bill and I have never attended the Cal-Trans lane reduction class. And we have only two boxes of flares. We throw out a bunch of flares and traffic begins to brake sharply and swerve to avoid a bigger traffic collision.

We suddenly feared for our lives. After a few near misses, we abandon our plan and exit the freeway. We get back to the overturned semi and just when we think things can’t get worse we notice that the truck load is again starting to smoke.

Of course, the fire department again responds and now Cahuenga Boulevard is completely blocked. The good citizens of Hollywood have abandoned the strawberry picking season. I heard the freeway was backed up to the Canadian border.

CHP patrol carOk, maybe that was an exaggeration, but it was a mess. We figured that was the problem of the California Highway Patrol. Bill and I disappeared and made a bee line to Winchell’s.

Hal

Categories
Writer's Notes

Conferences: An Introvert’s Guide to Writing Conferences by Laurel S. Peterson

Peterson Shadow Notes Cover compressedBy Laurel S. Peterson

First, thanks so much, Thonie, for having me on your blog. I’m delighted to be here.

The number of conferences available to writers is legion, and figuring out how to choose among them can be overwhelming, especially if you’re at all like me: an introvert who prefers the company of close friends and family, work and the big brown eyes of my Labrador Retriever! I offer the following comparison among three types of conferences as a way of thinking about what might work for you.

The Literary Conference
The Association of Writers and Writing Programs (AWP) holds the mother of all literary conferences once a year, usually in the spring. It has grown so large that it now takes a convention center to host, and it brings in major literary writers from all over the U. S. Recent featured speakers have included Jaqueline Woodson, Azar Nafisi, and Colum McCann.

Its size makes it both intimidating and approachable. As an introvert, you can get lost in the massive crowds, going from panel discussion to presentation to book fair without anyone noticing—which can be either lonely or a relief. On the plus side, the panel discussions are often intimate, and provide opportunities to talk with both the writers on the panel and the conference attendees. Large conferences also offer fabulous speakers; it’s fun to listen to writers talk about their own work and to get insight into their creative processes. AWP also has an incredible book fair. Focused on small presses, it’s a football field’s worth of interesting books to explore by wonderful writers you might never have heard of. If for no other reason, the conference is worth this.

In addition to on-site events, there are lots of off-site readings and presentations, frequently hosted by MFA programs or small presses. The conference fee is cheaper if you join AWP, and joining gets you access to a great website with interesting articles and resources about writing, job postings in creative writing, editing, etc., and places to send your work.

The Genre Conference
Genre-focused conferences, like Bouchercon or Thrillerfest, are useful for genre writers, in the same way as the literary conference. They provide an opportunity to meet people you wouldn’t otherwise encounter, give you a chance to hear writers talk about their processes and publishing issues, and to peruse books by authors you might not see in your local bookstore or on Amazon. I have also found genre conferences to be much friendlier than literary conferences. The writers are more willing to talk to anyone—regardless of pedigree. Perhaps this is due to the difference in market; that is, the market for genre works is so much wider that genre writers perceive everyone as a potential reader.

Their panels are also focused specifically on the craft you are practicing, so the tips are immediately applicable to your writing efforts. while I’m often too tired to write during a conference, I do find myself jotting notes about how to approach my work once I recover!

The Working or Experiential Conference
My favorite conference is The Writers’ Police Academy, which is run by ex-police officer Lee Lofland. Everyone who attends is writing (it’s not a mixed fan/writer conference, like Bouchercon), so they are all interested in the information provided by the experts: firefighters, police officers, federal enforcement officers of various flavors—even canine officers—as well as forensics experts, psychologists, and so on. Because it is small and everyone stays in the same hotel and eats together, it is easy to make friends and to talk to the professionals, who join in with the festivities. Sisters in Crime (SinC) offers a discount to its membership, and SinC offers so many other benefits besides this that the membership is worth it whether you go to this conference or not.

Other conferences focusing on craft are also useful. Attendees are usually united in their desire to help themselves and be supportive of each other. My graduate alma mater, Manhattanville College, holds a Summer Writers’ Week that is grounded in a daily morning workshop. Afternoons are comprised of craft talks, publishing panels, and time to write before one returns to the workshop the following morning. Of the three, I find these working conferences the most useful, although I recognize that the other two are useful in terms of marketing one’s work once it has made its way into the world.

The other factor, of course, is money. None are cheap, and without employer support for professional development, I probably would not have attended nearly as many as I have. Even so, I always end up spending more money than I get back. So, the question is whether you get value for your money. I would suggest deciding beforehand what you want from the conference: is it to network? is it to connect with your market or a publisher? Go to AWP or Bouchercon (or its kin). Is it to work on your own writing or voice? Then an experiential conference is probably what you’re looking for. Being open makes a difference, as the surprise interactions, meet-ups, and discoveries are part of the fun. No matter which you finally choose, it’s an investment in your writing career.

~~~~~~~~~~~~~~~~~~~~~

Getting some great ideas about your next conference? Leave a comment, let us know!

—Thonie

~~~~~~~~~~~~~~~~~

www.utechristinphotography.comLaurel S. Peterson is a Professor of English at Norwalk Community College. She has written a mystery novel, Shadow Notes (Barking Rain Press), two poetry chapbooks, That’s the Way the Music Sounds (Finishing Line Press) and Talking to the Mirror (Last Automat Press), and a full-length collection, Do You Expect Your Art to Answer You? (Futurecycle Press). She currently serves as the town of Norwalk, Connecticut’s Poet Laureate. You can find her at www.laurelpeterson.com, on Twitter: @laurelwriter49, or on Facebook.
You can purchase her mystery novel Shadow Notes here: Buy and her poetry, Do You Expect Your Art to Answer? here: Buy.

Other useful links:
AWP: https://www.awpwriter.org/
Bouchercon: http://www.bouchercon.com/
Writer’s Police Academy: http://www.writerspoliceacademy.com/conference/
Sisters in Crime: http://www.sistersincrime.org/
Manhattanville College Summer Writer’s Week: https://www.mville.edu/summer-writers-week-manhattanville-college

 

 

Categories
The Call Box

Call Box: Detective Story, the Real Deal, part 1

By Ed Meckle, Retired LAPD

det badge lapdWhat does the average citizen know about detectives? I would imagine those raised on a diet of TV, movies, books, would with some confidence state they knew quite a bit.

Ok then. Tell us what you know. Well, ah, suits worn in public but coats off the minute they are in the station. Sleeves up two turns, tie pulled loose, top button undone. Yeah.

When talking to victims or witnesses or suspects, nobody ever takes notes or fills out long involved reports. They come and go, showing up at whatever crime scene suits them, whether state or federal, makes no difference. They “take over” but usually let some vague other person do the real investigative work. They walk in and out of crime scenes giving incredible orders to everyone, then leave.

If it’s a “period” piece the detective works in a “quaint” squad room. If modern, then he/she has either an office or very well-equipped work station. There are computers that with a few key strokes can access any and all data bases worldwide; then correlate and collate all information in an instant to reach a conclusion without having to go from point A to point B.

notebook-308849_960_720At a crime scene, they can examine a bullet gash in a tree then look back along line of sight and announce the shot was fired from the 7th floor, 3rd window from the right. “In that building across the park, you will probably find an empty shell casing for a 22-250 with a 9-power scope. That is the weapon used.” (Apologies to Hal)

Later, after visiting several more locations he will announce that the killer will be, “a male in his early 40’s with a college degree in chemistry, born and raised in the mid-west. He will walk with a pronounced limp and has a slight speech impediment. He also has halitosis.”

The captain is a gruff old codger with a heart of gold. He demands you solve whatever it is quickly as he is getting “heat” from downtown. Even the mayor’s office is calling. If the boss is a she then we have to balance authoritarian with feminism.

Then, there are foot chases where the detective completes acts that would make an iron man envious.

Don’t forget car chases. Since yours is a plain sedan, you must use that stupid red light that you reach out and put on the roof while driving. No siren? Well that should not faze you as you careen through city traffic and crowded streets endangering life and limb.

 

Detective_Maxwell_on_his_desk_in_the_movie_Until_Death
Detective Maxwell on his desk in the movie Until Death

Gunfight? Sure. The suspect(s) are usually heavily armed with automatic weapons and have nothing to lose.

 

Married detectives must fend off suggestions and innuendos. But single? Then prepare for gratuitous sex, almost always with the wrong person.

If only it were that easy and glamorous.

End of part one; part 2 will appear Sunday, 12/24/2017.

 

Categories
Writer's Notes

Conferences: Where to go? Which to Choose?

SkinofTattoosCoverBy Christina Hoag

For crime fiction authors, the good news is that there are plenty of writing conferences. The bad news is that there are plenty of writing conferences. It can be hard to choose the best investment for your money and time.

I decided not to choose. I just went to a slew of them, although not all by any means. Not only did I have a great time at every one, I found value in all of them. Each offers something different, and from each I took away things I didn’t know before, as well as a host of new friends. Frankly for me, networking is one of the best reasons for attending conferences. I love meeting other writers, discussing, writing, publishing, reading. These are my peeps!

The two biggies are Bouchercon, held in a different city every year, and Thrillerfest, held in New York City. Both get well over 1,000 attendees. I chose to attend Thrillerfest this year, leaving Bouchercon for 2018. Thrillerfest is the most expensive con of the bunch, plus Manhattan is a pricey destination, which is something to keep in mind. But this is the place for networking and there’s plenty of opportunity to mingle and fangirl with the biggest names in the business from Lee Child to Lisa Gardner. Thrillerfest also hosts a separate event, Pitchfest, which attracts a ton of top agents and editors, a key advantage to being in the center publishing industry.

There are also a host of smaller regional conferences, usually sponsored by local chapters of the MWA and/or Sisters in Crime. These typically attract 200-300 attendees, including published and aspiring authors and fans, and cost $200-$350. Most offer authors a chance to participate as panelists and to sell and sign their books in the con bookshop, and make great promotional vehicles if you’ve got a new book out or are simply seeking exposure.

Cons have different requirements for panelists so that may affect where you choose to go if promotion is your goal. Sleuthfest, held around Florida, for example, requires panelists to be published by approved publishers. Killer Nashville is friendly to independent and pre-published writers while New England Crimebake in Boston does not allow authors to request panels and selects its own. Magna cum Murder in Indianapolis, California Crime Writers Conference, held biannually in Los Angeles, and Left Coast Crime, offered in a different western city every year, generally offer authors panel spots.

Another factor to look at is the con’s subgenre emphasis. Malice Domestic, held in Bethesda, Maryland, is geared to cozies and traditional mysteries while Thrillerfest is as its name suggests.

Finally, you may choose a particular conference simply because it’s in a place you want to visit or where you have friends or family. Whichever conference you choose, you can save by planning well in advance and taking advantage of early bird prices, usually starting the year before. Another cost-cutting tip: you can stay in less expensive hotels or with friends and Uber back and forth. I’m already looking forward to my next conference in 2018.

~~~~~~~~~~

ChristinaHoagAuthorHeadshotChristina Hoag is a former journalist for the Miami Herald and Associated Press who’s been threatened by a murderer’s girlfriend, had her laptop searched by Colombian guerrillas and phone tapped in Venezuela, hidden under a car to evade Guatemalan soldiers, posed as a nun to get inside a Caracas jail, interviewed gang members, bank robbers, thieves and thugs in prisons, shantytowns and slums, not to forget billionaires and presidents, some of whom fall into the previous categories. Her noir crime novel Skin of Tattoos (Martin Brown Publishing, 2016) was a finalist for the Silver Falchion Award for suspense, while her thriller Girl on the Brink (Fire and Ice YA, 2016) was named to Suspense Magazine’s Best of 2016 YA list. She also writes nonfiction, co-authoring Peace in the Hood: Working with Gang Members to End the Violence (Turner Publishing, 2014.

Christina makes her home in Los Angeles and lives on the web at www.christinahoag.com.

Her novel Skin of Tattoos is available at http://amzn.to/2bSRjqP

 

Categories
Roll Call

Roll Call: You Know it in Your Soul

A year or so ago, I was exchanging emails with Mikey. He was interested in sending me his stories for Just the Facts, Ma’am but was understandably cautious. This is an email I’ve been saving for the right moment to share with our readers. Our topic was what kept us in demanding, suck-the-life-outta-you careers. This particular email was significant to me and I thought you might like it, too.
—Thonie

You Know it in Your Soul

By Mikey, Retired LAPD

In the exchange of emails, you said it is “in your blood.” Nope, it’s in your soul. I’ve spoken to dedicated professionals in other fields and I have the same “feel for the talk,” and it is in your soul. I see it in your words, everyone. You don’t know why or really can’t explain it. Screw the folks who try and explain it to us. Take the third-grade teacher in the Bronx who gets crap for a salary buts does it anyway. The social worker who sees the worst but does it anyway. The copper who has a BA and can pretty much go state or federal but chooses to work the street. Or the writer who really needs to focus on something better, higher, more meaning, but does not.

No, it’s not in your blood, it’s in your soul. I know, and so do you. The key to knowing. You really never wanted to turn your back to it.

LAPD Crown VicI truly, truly miss it, but I’ll share this with you and it is gospel. I intended to work until May 15th, 2008. On May 2nd I turned 60 and my wife and the station threw me a surprise party—kinda cool. On May 3rd, I was on patrol with my best bud, John Schick, yup, that guy. At 2100 hours, on the dot, I am stopped at a red light on Hollywood and Vine. I hear this (I did, ‘cause I was there) “You’re done.”

Brings tears to my eyes this evening cause in my soul, 41 years of being a copper was over. I told John 0400 was a long way off and I was feeling tired. I shut the ignition down for the last time, John took a pic, unloaded the cruiser—shop 88420 and walked into the Watch Commander’s office. The young lieutenant looked up at me and I said, “LT, I’m through.”

His response, “What took you so long?”

Witnesses and all, hugs all around. I got released, not by the LT, but by the hand that held my soul.

This is a message, me to you. You giving us the opportunity to tell our stories, priceless. Thank you, I like sharing with my new and old family.