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August Writer’s Notes: Mentors

WMA plus award
My certificate for With Malice Aforethought as the winner of the Public Safety Writers Association Writing Competition July 15, 2018 in Las Vegas.

By Thonie Hevron

I wonder how I would’ve ever gotten where I am today without mentors. This includes the mom down the street who took me under her wing when my mother struggled with her own demons. Early in my career, there was a motor officer who introduced me to the concept, “badge-heavy” and changed my adversarial attitude with the public while I issued tickets–I didn’t have to be a jerk. Later, Fred, a patrolman, was another crucial association. He invited me to testify to the county grand jury as part of an investigation of our police administration. Standing up for the integrity of the job was a beautiful burden. These people were life-mentors who taught me valuable lessons that extend through my life today.

But let’s talk about mentors for writers.

Pat Tyler
Pat Tyler

In most other industries, colleagues could look upon newbies as competition. While I’ve found that writing teachers aren’t necessarily mentors, I can say I have never seen professional acrimony toward another. My first true writing mentor, Pat Tyler, during her Jumpstart Writing class, encouraged me with provocative prompts. She provided a safe, non-judgmental place to read and hone my stories. Then, she pointed me toward Redwood Writers (a branch of California Writers Club), where I found much more to learn. The motto of the club is “writers helping writers.” It did!

Marilyn1
Marilyn Meredith

My second mentor is Marilyn Meredith. She’s a board member of the Public Safety Writers Association who I met in 2014 at the club’s annual conference. Marilyn is an experienced author who helped me navigate small press publishing and writing ethics. She’s a prolific author of over 40 books who gets up in the middle of the night (4 AM) to accomplish her myriad goals. Even with huge family demands, she writes and promotes almost every day. A lady in the most refined sense, she’s also a model of Christianity—not the clichéd version—the true-blue follower of Christ. She’s unpretentious, accepts people the way they are and believes in sharing her gifts—as she has with me. I’ll bet she never even considered herself a mentor. But she is. She continually inspires me to be better.

Speaking of not considering yourself a mentor, I want to talk about being a mentor. Why?

  • It could change someone’s life—really. Think about words of encouragement you heard that motivated you. Be that person.
  • It will take you out of your own world—we create them in our heads, don’t we? Telling another person about your process attaches words to abstract thoughts. Sharing can enlarge thoughts, if you listen. For both of you.
  • You’ll be building a writers’ community based on the positive aspects we’re talking about here.
  • The life you change may be your own. Sometimes, verbalizing the process gives us a clearer picture. Sharing and giving aren’t unique to humans but we’ve refined it through evolution. Let’s keep working on it.

On August 10th, Deborah Shlian shares her thought on being both a mentor and mentee. Cathy Perkins appears on August 17th, Barbara Bent on the 24th and Edith Maxwell winds up the month with “Paying it Forward” on August 31st.

Be sure to join us on Writer’s Notes, Just the Facts, Ma’am every Friday. Sundays, read the exploits of the men and women behind the badge on the main blog.

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Critique Groups: My Experience

By B. Payton-Settles

July 20, 2018

BILLIE Something in the Attic.jpgWhen I stumbled onto critique groups almost ten years ago, they existed only as hard-copy, four-or-five-writers-working-together-around-a-table, incarnations. Now, through the wonders of social media, critique groups exist on-line, as well. Although I prefer the in-the-flesh model, I’m glad we have options today; critique groups are essential, both for budding writers and those whose careers are launched and moving along smoothly. We never outgrow the need for honest, professional feedback and support. My association with the critique group lovingly nicknamed Thrillerz provides that for me.

When I joined Redwood Writers Club (aka “RW”, the local arm of the California Writers Club) almost ten years ago, I was encouraged to participate in a critique group. I was new to acceptance of myself as a writer and floundering in the development of a mystery/paranormal novel. I figured I had nothing to lose.

Ana Manwaring, an RW veteran, gathered five of us for the initial meeting at a Starbucks. First order of business was choosing a maximum number of participants (five), a genre qualification (mystery/police procedure), and a meeting structure (twice a month on Wednesday evenings). We were on our way.

It took only a few meetings for us to realize that coffee houses, with their hard-to-manage noise level, don’t work as meeting places long term. When we interviewed for members, one or two prospects opted out based on that limitation. We relocated, first to a conference room in the Rohnert Park PD (member Thonie Hevron worked there), then to the Santa Rosa office of member Fred Weisel, and currently, to a member’s home in Petaluma.
Our meeting format is simple: we each bring pages for the others to take home, edit, and bring back to the next meeting, where we read a sampling and discuss the edits.
This is a great way to benefit from one another’s skill and get real-life feedback concerning subject matter. One perk: We get in on amazing, imaginative stuff as it is created. Another perk: Our understanding of human nature is indelibly deepened.

In taking a nostalgic look back at Thrillerz’ past participants—some for a few months, some for a few years—I see the enormous benefit in exposure to the many diverse personalities. We’ve had grammar divas (that would be me), adjective bludgeoners, ‘repetition’ police, plot questioners (Where’d that guy come from? You never mentioned him before. At least give us a description!), and of course, morale boosters. Thank heavens for my fellow writers and their dedication to this, sometimes, frustrating craft.
As I have developed as a writer, I’ve had many moments of doubt about the worth of my stuff, my chances for recognition, my writing ability. My critique group, as honest in their criticisms as they are lavish in their support, keeps me writing.

~~~

BILLIE PS head shotB. Payton-Settles was reading at the age of four and still reads everything she can. She’s been writing since her teen-age years (She’s retirement age, now) and loves getting feedback about her published work. Her home base is Petaluma, California, where writing, teaching, and research happen.

To purchase Something in the Attic, click here

 

 

 

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June Writer’s Notes: Writers’ Clubs

By Thonie Hevron

 

copp rw book club
Book signing at Copperfield’s Books, Santa Rosa, May 31, 2015

I would still be wandering the authorial stratosphere if I hadn’t found Redwood Writers. I’d written a book—a thriller set in my very own backyard, Sonoma County. By Force or Fear was penned while I lived on the other side of California, missing Sonoma County so much that I set my story there. It was my way of coping with homesickness. When I moved, I lost the manuscript. Luckily, I found the outline on a thumb drive and re-wrote it. It was even better than before!

 

In 2004, my husband and I finally moved back to SoCo. While reading the newspaper one day, hubby found a writers group called JumpStart that met in our town. It’s leader, Pat Tyler, introduced me to reading my work in a group. She also fostered my scribblings, steering me to the local chapter of the California Writers ClubRedwood Writers. Finding a group of dedicated writers who encourage each other was a huge step forward. Under their superlative leadership, I attended club sponsored classes, workshops, and panels. Each monthly meeting has an hour-long teaching session as well—featuring different topics such as the business of writing, craft tips, promotion, marketing and social media. From all this input, I was able to formulate a plan. Roughly it looked like this: write, write, write, query, learn, write, speak, blog, learn some more. I mapped out my next novel in outline form. After all, I’m a retired law enforcement veteran and structure such as this helps me keep track of all the strands of my story. While I worked on my story, I found a critique group, Thrillerz. After joining Redwood Writers, this was the best thing I could’ve done.

More on critique groups in July.

 

Over the course of these meetings, I realized that I needed to build a platform. I knew I had to expand my audience, but the term marketing struck terror in my heart. After all, I was a writer—solitary, shy, withdrawn from the general population. But wait, NO, I wasn’t solitary. I had Redwood Writers, then the Public Safety Writers Association, then, Sisters in Crime. Redwood Writers (RW) hosted (still does) bi-monthly salons for authors to read their work to each other. The intent was to dip writers’ toes in the swamp of public speaking. There also were Open Mics held at several different venues (all of which I participated) and an annual member book launch for 10-12 RW authors to debut their books. Above you can see a few of the events RW sponsored. I volunteered to emcee a few of these gatherings and polished my public speaking as well as met some terrific people.

 

Conference pic
Thonie- during the Pen to Published Conference 2014 

 

I did those but felt I needed more. So, I volunteered to co-chair a Redwood Writers’ Conference in 2014. The lead up to the event was where the rubber met the road: I attended every monthly club meeting to publicize the conference. Yes, I got up in front of a crowd of 75 or so people and made announcements. I’m by no means OVER my stage fright but I can certainly manage it. I’ve even tackled some other, unrelated fears such as driving over bridges.

Who knew what doors Redwood Writers would open?

How important is your writers club to you? What unique feature does it offer? Check in to Writer’s Notes on Fridays in June to see what other authors have to say. June 8th features Camille Minichino’s penchant for joining clubs. Natasha Yim talks about the Society of Children’s Book Writers and Illustrators on June 15th, on June 22, Leeann Betts gives 6 reasons to join a writers’ club, and on June 29th Paty Jager will offer her thoughts on the subject.

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Books versus e-books?

By Thonie Hevron

I answered a question from a member of Sisters-in-Crime last week. She will post it on her blog but only portions because of space constraints. I don’t have such worries so here goes:

Photo courtesy of connect.crlibrary.org/tag/library-ebooks
Photo courtesy of connect.crlibrary.org/
tag/library-ebooks

Print book versus e-book? I’m not much help to tip the choice to one side or the other. I like both. E-books have a “disposable” quality to them that I prefer–sometimes. Genre fiction can be bubble gum for the brain. If I start an e-book and several pages into it, decide I don’t care for it–it’s history. On the other hand, some authors like Michael Connelly, PJ Parrish and Robert Crais write so eloquently (word economy, delicious settings, layered characters) that I will buy the print copy and underline. Sometimes, studying the way a paragraph is organized, or a protagonist is portrayed can teach me, as a writer, so much.

For traveling, you can’t beat an e-book. I was on a cruise once and finished my paperback. We were at sea and I had nothing to read. I went to the library, but finding a book that wasn’t in Swedish or German was difficult. When I finally came across one, I read it for two days then had to turn it in without finishing it because it was time to debark. My husband and I bought Kindles when we got home.
In 2011 in a speech to Redwood Writers Club in Santa Rosa, Peter Behren, a Bay Area Literary Agent, suggested publishing would evolve into offering “bundles”. This is just what it sounds like: buy an e-book and a print copy together. That way a reader has the choice to read whatever media he/she wants at any given time. So far, I haven’t seen much evidence of staying power on this type of offer. Personally, when my second book is published this year, I hope on “bundling” my first e-book with the second e-book or print copy or some variation of that. 
One thing is for sure: publishing is on the move and changes are the new rule. I don’t think there is any final outcome to the industry. It will keep evolving, morphing into whatever the reader finds most suitable at the time.