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Writer's Notes

May Writer’s Notes: Fans and Flowers

By Thonie Hevronpexels-photo-1034910.jpeg

 

What’s that mean? The term ‘Fans’ is clear: anyone who likes reading your books. ‘Flowers’ can mean accolades, awards, positive reviews, or any other “Yay” moment. Fans and flowers are two terrific benefits to publishing your work.

I chose this month’s topic because as writers, we so often go long periods of time without feedback about our work. Being writers means being alone—even if you write in a coffee shop, the story is in your head. It’s safe to say most writers would like to earn big money, but the sorry truth is most of us don’t. I would also bet that most of us write what we like to read. This means we write because the story drives us. It’s what we delight in—writing the worlds that are behind the blank stare in the grocery store check-out line. I cannot NOT write.

All the above being said, there are few moments in a writer’s life that bring that warm glow like someone telling us what a great job we’ve done. Having someone else recognize our efforts is gratifying. It’s not necessarily what keeps us going but a well-timed 5-star review can jump-start faltering inspiration. We don’t have to have accolades but they sure are nice!

Oddly, most award-winning authors don’t tell you about their prizes. Oh sure, honors and exceptional acknowledgements are posted on book covers, websites, business cards and promotional items. But face to face, no author I’ve met has shaken my hand and told me how wonderful he is. Most writers are modest introverts who do promo as a matter of necessity (usually kicking and screaming).

If an author has one fan he has an inherent responsibility. The author must fulfill the fan’s expectations with every book. That means writing the next story—and writing it well–better even.

I’ll never forget the first time I overheard a conversation between two women who had read my books. One posited that “Meredith would understand given her background.” The other proposed that Meredith’s childhood ghosts might get the better of her.

Talk about a warm glow! I loved that readers came to know my characters well enough to talk about them like they were friends. I felt I’d done my job—brought the story from my head and into readers’ minds.

To do this, did I abandon my muse and write to market? Yes and no. I wrote my story, but I did my research to figure its marketability. It’s a stroll on a tightrope, for sure. I looked over market trends, attended author events (soliciting attendees critiques) and conferences, even perused a forum or two. I also read reviews of books I felt were similar to mine.

In the end, I hope to listen to those readers who comment (yay or nay—and why) and continue my balancing act. Thanks for indulging me.

 

Join Writer’s Notes on May 11th for Joanell Serra’s take on “The First 100 Books Sold,” celebrating May’s theme of Fans and Flowers. On May 18th, read Becky Clark’s observations after returning from a mystery fan convention; she’ll talk about what it’s like from both sides of the book signing table. Finishing up the month, Ally Shields shares how “Fans are the Heart of the Writer’s Life.”

And don’t forget to check in on Sundays for stories behind the badge. Read about how different eras of law enforcement (specifically LAPD) survived day to day business. These guys are the real deal, not celluloid cops.

 

        

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Writer's Notes

How to Write a Novel That Will Actually Be Worthy of Publishing

Typing

 

by Michael Cristiano

re-posted from Ryan Lanz’s A Writer’s Path

So, you say you have a dream, Mr. Martin Luther King Jr. of prospective fiction (or nonfiction) writer. Well, so do I, and so do millions of others around the world. That is to write a book, but not just any damn book: a book that will be good enough to publish.

Seems like a pretty simple goal, right? In today’s day and age, there are a billion ways to see your work published: paperback, hardcover, ebook, literary magazine, traditional publishing, self-publishing, hybrid publishing, serialization, writing your novel on your arm and reciting it in the subway (okay, maybe not that one…)

Since publishing a book is easier and more accessible than ever before, it’s important to know how to write a novel that’s worthy of being published.

 

Read Widely
“This is a given,” you say. This is what got you into wanting to write the most epic, mind-shattering, life-changing fiction in the world in the first place. It’s amazing though how quickly reading gets shut out of life after a 9-to-5 job, commuting, cooking, cleaning, sleeping, and meeting word counts consumes all your time.

Trust me, I’m guilty of putting reading at the bottom of my priority list. I find it hard to find time to read, but it really is necessary for a successful writing career. Reading allows writers to become fluent in their craft. It allows us to see what works for other authors, and what could work for us. It allows us to stay on top of what’s happening in the publishing industry and to analyze those happenings and apply them to our own career.

And you MUST read widely. Don’t only read the genre you write. It’s tempting to say, “Oh, well, I only write fantasy, so I’ll read myself silly with George R. R. Martin and J. R. R. Tolkien and Terry Pratchett”. Read everything. Read contemporary and young adult and romance and how-to manuals about square dancing and cat-sitting.

The classics are also a must—and believe me when I say that you won’t detest them as much as you did when you were forced to enjoy them in high school.

 

Learn How to Write & Edit Like Mad
Writing without knowing anything about the craft is like scuba diving without an air tank. It’s like running a marathon without proper shoes. It’s like driving a car with your eyes closed (which I do not recommend, to be clear).

You need to invest something into your writing, and I don’t mean that you have to toil and toil over plot points and character development and 100,000 cat videos on YouTube (though, that’s all included). You’re going to need to get control of your grammar and the conventions of your genre. You should invest in a style guide and maybe even read a few how-to‘s and don’t-do‘s. There are millions of resources online and at your local bookstore, and if you’re interested in improving your craft, I’ve already written a post with tips.

Even when you’ve mastered all those semi-colons and romance novel tropes and Oxford commas, you must still edit. All manuscripts go through a revision process, sometimes upwards of ten times, and if self-publishing is the right route for you, it is ESSENTIAL that you hire a professional editor to prepare your work for publication. There’s nothing more terrible than a novel that has grammar, spelling, and plotting issues (except maybe driving with your eyes closed).

 

Don’t Follow Trends
Are vampires and zombies cool anymore? No, it’s dystopian fiction and Fifty Shades of Too-Embarrassed-to-Be-Caught-Reading? Well, then.

Following trends doesn’t work. By the time you write something that follows a trend, polish it, and publish it, chances are that trend will be on the way out or already gone. Besides, it’s even worse when a writer writes something in order to try to capitalize on the bee’s-knees-du-jour, and it’s so blatantly obvious that they did that they write garbage. These novels lack originality and personality.

So, screw the trends. Write something that feels right for you, and maybe you’ll grandfather (or grandmother) your own trend. Talk about mind-shattering!

 

Know When It’s Crap
Ah, my USB. It’s a place where all the magic happens—and also the place where manuscripts go to DIE! Truth be told, not all of your work is meant to be published. Sometimes we write something full of clichés and plot holes and enough literary conventions to make Shakespeare hiss in territorial protection.

And that’s okay! You’re allowed to write crappy every once in a while. I did it. I have a manuscript that’s been edited multiple times but is now enjoying retirement in my “Nice Try” folder. I even have a nice disclaimer on the front page that says “In the event of my death, DO NOT publish posthumously”. It’s that crappy.

 

How do you know when it’s time to let go?

  • You’ve Lost Interest. That initial spark is gone, and writing the piece feels like drinking three-week-old urine with ground up ceramic. Yeah, that feeling.
  • You’ve Written Yourself into a Hole. This is the hardest time to let go. This happens when your plot is so mangled that it’s unrecognizable. It’s unfocused and messy, inconsistent and terrible. Sure, you could edit, but is it worth it? Maybe let it be for a while and come back later.
  • You’re Not Ready. We all need the opportunity to fail. Sometimes what you write is just the trial edition. You can’t run a marathon without training. You need some practice runs, so to speak. It’s important to know when you’re writing a practice run, especially if you’re just starting out and writing your first novel.

How do you know when something you’ve written is worthy of publication? Do we ever really know?

 

 

Guest post contributed by Michael Cristiano. He works in editing and acquisitions for Curiosity Quills Press, and his freelance work has appeared on websites such as Nexopia, FluentU, and BlushPost. Check out his blog for more of his work.