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The Call Box

The Call Box: My Short Kidnapping Career

Part 2 of 2

By Ed Meckle, Retired LAPD

As I was formulating my plans I couldn’t help but think of “the Fortress” as I had called it. It was that in every sense of the word. It took up and entire city block and stood there looking like “Half Dome” at Yosemite. It was imposing, formidable, and let’s add insurmountable. We will see about that.

Before the day was out, I acquired a photo copy of a Times employee’s pass, which now bore my photo and the name, George Hearst—Patty’s father and Chandler’s major rival as the editor of the Examiner. I figured if I was captured, it would really piss them off.

I called in two of my teams and laid out the plan. Team one, “The Suits,” would try to talk their way in or if unable to do that, enter however they could. Team two, “The Window Washers,” would brazen their way in. I would bluff my way through Security. We would try to get close enough to touch Chandler and tell him he “had been taken.”

The next morning—in a suit, of course—and carrying a folder stenciled in large letters, “LA Times London Bureau—” Now let me pause here for a moment. As any cop can tell you, an air of confidence is all important, especially when you are going somewhere you shouldn’t or that has been denied to you. You cannon, repeat, cannot be hesitant or timid but must act with authority. Maybe even a bit of arrogance and superiority. “Stand back, I’m coming through and don’t even think of questioning me.”

Which is exactly what I did, flashing my “ID” while talking to the person next to me as though we were old friends.

So far, so good. I’m on the elevator but the floors are not marked. I don’t know where Notions or Lingerie is but I’m willing to bet the boss man has a top floor corner office.

The top floor is executive country. There is a receptionist in the hall as I exit but I ignore her and turn toward the northwest corner. Anything on the south would overlook a poorer section of downtown. Northeast is China Town but northwest is Civic Center.

Yeah, there it is. Outer over-sized door open to the hall with a tough looking old biddy guarding Chandler’s closed office door.

So far, so good—again. Courage, my boy. Breeze right past her with “He’s expecting me.” I opened his office door, entered. Even though it is the largest, fanciest office I have ever seen, he is not there.

All right, now quickly, plan B. Plan B? I barely had a plan A. And then to save the day, at that moment, Otis Chandler walked in not 10 seconds behind me with the biddy trying to explain who I was—followed by my window washers carrying a step ladder and bucket. Just like we planned. Yeah—I touched his shoulder.

I introduced myself and the team. Gave him the chief’s regards and informed him he was kidnapped, assassinated or whatever. He tried to talk but just stammered and sputtered, which I took as “Well played, lads. Give the Chief my best. Tell him he was right as usual and fortunate to have such clever and ingenious chaps such as yourselves working for him. Jolly good show.” Or at least, that’s what I thought he would have said if he could talk.

Back at the office, we laughed as we recounted what happened. “The Suits” were stopped at several points but then went to the loading dock and got in there. They got to the office about 2-3 minutes after we left. The “window washers” just walked in. Nobody even looked at them.

I discovered there was no official form to cover “the kidnapping of a newspaper publisher by police personnel.” One sheet of paper, single spaced, no embellishment to tell what we did, phony ID attached and I gave it to the captain. I came back from the chief several days later with one word in the upper right corner—“Wow.”

 

Speaking of kidnapping, “Intent to Hold” is an element of kidnapping which is the primary crime in my second novel Intent to Hold. Click on the link to check out the sample on Amazon.com.

 

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Writer's Notes

The Next Big Thing

 Intriguing title, huh? I thought so, too. It’s a fun way for writers to share their newest works. A fellow Redwood Writers’ Club member, Sunny Lockwood, tagged me for The Next Big Thing blog chain. Sunny is a writer of short stories and essays. Her newest book is Shades of Love: Stories from the Heart. Check out her blog at Onword.

A blog interview of Thonie Hevron

What is your working title of your book? My working title is Intent to Hold, which refers to the kidnapping section 209 of the California Penal Code.

By Force or Fear
By Force or Fear

Where did the idea come from for the book? This is a sequel to my first book, By Force or Fear, which I published on Amazon in ebook form last June. The title, actually both titles refer to elements of crimes. By Force or Fear is taken from the stalking statute, 646.9PC. I like to use crime codes to foreshadow the menace I address in each book. The tension in the first book dictated one of the main characters deal with a family problem that erupts in the second book. I set it in Mexico to have more latitude in plotting, the setting is glorious, and the character’s family is there.

What genre does your book fall under? Fiction, specifically suspense, with a sub-genre of police procedural. It’s unfortunate the tag for police procedural is sounds so boring, but in reality, as a law enforcement veteran, reading fiction that is accurate as well as exciting is very satisfying.

Benjamin Bratt
Benjamin Bratt

Which actors would you choose to play your characters in a movie rendition? When I started my first novel, I used Mariska Hargitay of Law and Order SVU as a model for my lead character Meredith Ryan. These days, I tend to visualize Daniella Ruah from NCIS-LA. She oozes the self-assured competence of my young heroine. Benjamin Bratt was my hero Nick Reyes although Reyes is heavily influenced by a friend and former co-worker. Using actors for “models” helps me characterize so much! I use body movements, facial expressions and generally either try the dialog on for size or let the character make their own dialog. That happens only when you have a clear picture of who is talking. 

Daniela Ruah
Daniela Ruah

What is the one-sentence synopsis of your book? Detective partners Meredith Ryan and Nick Reyes sneak into Mexico to rescue Reyes’ kidnapped brother-in-law.

Will your book be self-published or represented by an agency? Self-published for now. I plan on continuing to query agents.

How long did it take you to write the first draft of your manuscript? It will take about 8 months to write the first draft. My goal is to have it done for submission to a contest for unpublished manuscripts by May 2013.

What other books would you compare this story to within your genre? My first book, By Force or Fear, certainly. I would like to think any fiction by Michael Connelly, Robert Crais, Harlan Coben and Sandra Brown. I read PJ Parrish, David Corbett and Paul Bishop. I’d love to write like PJ Parrish-wonderful stories, layered characters and snappy dialog.

What else about your book might pique the reader’s interest? First, it is set in Mexico–the mountains above Puerto Vallarta–in the steamy jungle, dark hillside tunnels, and the ocean below. All have inherent dangers.  Second, the two lead characters have a chemistry that makes readers’ guts groan. Within the storyline, I have kept the sex and violence to a minimum yet ramped up the level of excitement to the max. These two are too busy for a romance–or are they?

 

Sandy P. Baker
Sandy P. Baker

And the Blog Chain marches on: Sandy Baker is a formidable force within the Redwood Writers’ Club (RWC). RWC is the largest branch of the California Writers Club with over 200 members. Sandy is currently a Vice President and will assume the Presidency in the upcoming years and is the co-chair for the 2014 RWC Writers Conference. In her spare time, she writes childrens stories, has a thriller, The Tehran Triangle out and will publish another thriller this  year. She is also a Master Gardener in Sonoma County. Check out her blog at Garden Plots or her site at SandyBakerWriter.com