Categories
Mystery Readers Only

Guest: David E Knop-An Excerpt

Dead Horses

Excerpt from Mining Sacred Ground by David E. Knop, coming soon!

“You ain’t the only policeman ever killed a cop,” Sal Montoya said from the bedroom at the back of the singlewide.

The remains of the night blew down from the Mogollon Rim, crossed the Verde River Valley, scraped dust from the White Hills, and banked skyward off the Black Hills. New Mexico-born Cochiti tribe policeman Peter Romero slouched in his cousin Sal’s kitchenette and stared south at the Bradshaw Mountains shadowed by the low sun. The wind buffeted the trailer, reminding him he’d slept all night in Sal’s driveway in the bed of a pickup. He welcomed the morning heat through the window, and cursed the painful bump on his chin, his life, and everything about Camp Verde, Arizona. Sal’s coffee tasted like plastic, but it warmed him after a shivering night.

“You know another one?” Romero asked, pressing his temples to ease the pounding. When Sal walked into the kitchen, he looked up and asked, “Why’d you punch me?”

“I didn’t. You knocked yourself out when you fell on your drunk ass,” Sal said, opening, then banging a cabinet door shut. He poured coffee, dragged a chair to the table. “Never seen you that drunk, man. What’s gotten into you?”

“Nothin’.”

“Bullshit, you been moping around here feeling sorry for yourself for two weeks, and now you drink yourself to the point I had to go and drag your ass home.”

“It can happen to anybody. Get over it.”

“Not my problem. I want your ass outta here, but first, I got work for you.”

“You got a funny way of askin’.”

“I need help.” Sal sucked coffee. “Do this one thing for me before you go.”

“Go where? I can’t go home. I’m banished and Costancia is really pissed. No, I need to stay away from there. Too many bad memories.”

“Your banishment is crap. You did the right thing and the elders are wrong. You need to be with your wife, not here.”

Romero shrugged, stared at the table. “What do you need?”

“I been workin’ two shootings. So far, I been striking out, but I got some ideas and need to know more about the bikers that been hanging around. They don’t know you, so you can get close. Here, I made a list.” He removed a notebook from his pocket, tore out a page, and dropped it on the table. “These are my prime suspects. Look at those names.”

“Why don’t you just bring ‘em in?”

“I have. They lawyer up.”

Romero scanned the list. “I came here to look for stolen pots.”

“Forget that, I got something big here, and with all your military police training, this is right up your alley, Jarhead.” He gripped Romero’s shoulder. “Those bikers are involved in both shootings and I need you to make the connection.”

Romero inspected the tabletop and didn’t answer.

Montoya shook his head, buttoned the notebook in his breast pocket, grabbed his Stetson, and banged through the screen. “Get some leads or get out.”

The diesel started with a click and a rattle.

Crack! A shot rang out.


Name: Dead Horses (A Peter Romero Mystery) Book Blurb: 

Who is leaving dead horses across the Southwest? New Mexico tribal police officer Pete Romero must find the answer. Simultaneously, a brutal double murder involving his childhood friend on his own reservation complicates the investigation. Romero’s skills and loyalties are stretched to the breaking point when he trails a mysterious stranger who is cultivating extremists to escalate long-brewing tribal hostilities into a shooting war. Romero tightropes between the natural and supernatural while battling wolves, dirty cops, and a murderous grizzly in a race to save hundreds of innocent lives before they, too, become part of the dark, hidden side of Southwest history.


David E. Knop is a retired Marine officer with twenty years of service saw two tours in Vietnam as an artillery forward observer and naval gunfire support officer. Dave also worked in the intelligence and logistics fields. As a staff officer, he wrote and edited numerous military operations plans.

David E. Knop

In civilian life, Dave produced many electronic and automotive technical manuals for industry leaders such as ViaSat, SAIC, and Computer Sciences Corporation. His work for the Eighth Air Force received an award of excellence in a Northern California Society of Technical Communications competition. 

Dave’s four thrillers featuring a former Marine tribal police officer bring the role of spirit warrior to the subgenre of Native American detectives. Dave’s novels, The Smoked MirrorMining Sacred GroundPoisoned by God’s Flesh, and Animal Parts have been honored by the Maryland Writers’ Association, Killer Nashville, New Mexico-Arizona Book Awards, Public Safety Writers of America, Military Writers Society of America, the Amazon Breakthrough Novel Contest and the Eric Hoffer Book Award. Dave’s fifth novel, Dead Horses, will be available in six weeks.

Dave earned a BA from the University of Colorado, Boulder, an MS from the University of Southern California, and is a lifelong student of military and Native American cultures.

Website: David E. Knop

Categories
Mystery Readers Only

Guest: Michele Drier-Do You Want to Know Everything?

READER, PLEASE NOTE-This post includes a give-away of one of Michele’s books! See the bottom of post for how to enter!

By Michele Drier

Like a lot of things in life, mystery readers are divided into two camps—those who love description and those who don’t.

It’s not that those readers who don’t like a description don’t want ANY. After all, it’s nice to understand that the setting for the new cozy takes place on a seacoast when the protagonist spends most of her time on the sand.

 It could be the desert. Towns east of Palm Springs are called the cove communities, not because there’s any water in sight but because the mountains form “coves,” dips or valleys between the rocky spines that merge into the desert floor. These are alluvial fans, formed of soil washed down the steep mountains over the centuries and they’re relatively flat and easy to build on.

Description helps us “see” the places, the characters, the action, but there are some readers who prefer to “see” these things in their mind. How many of us “saw” Grandma Mazur in the Stephanie Plum books as someone not like Debbie Reynolds? Or pictured 6’5” Jack Reacher as someone taller than Tom Cruise (5’7”)?

As a mystery reader who cut her teeth on Nancy Drew (ahhh, The Secret of the Old Clock!), I’ve always painted pictures of the characters and the settings in my head. I knew what Nancy and Ned and her father the judge and her car looked like, but I don’t remember if Carolyn Keene offered much description in the books.

In my own books, I don’t write much description. Amy Hobbes of the Newspaper Mysteries series, wears her shoulder-length hair in a ponytail and dresses in skirts and over-blouses. Roz Duke of the Stained Glass Mysteries series twists her hair into a topknot and skewers it with a pencil—so she’ll have one handy when she needs to sketch something.

And then there are the Kandesky vampires. Both the men and women are rich, beautiful, shop for clothes in Paris and Milan. The Kandesky Vampire Chronicles is currently ten books long, so each book I’ve added a bit more description, both for the characters and the settings, which are primarily in Eastern Europe.

My aim in writing description is to include information that moves the plot along, but occasionally this runs afoul of some of my critique partners. Just like all readers, the critique group is pretty evenly divided between those who want a lot of description and those who want the bare minimum. I synthesize the comments, adding some description here, tweaking some there, shooting to reach a spot where both types of readers feel comfortable.

How about you? Do you prefer knowing all the details of your favorite character and the milieu he/she moves in? Or do you prefer more of an outline—how tall, hair color and cut to the action?


Michele Drier is a fifth generation Californian. During her career in journalism she won awards for investigative series. She is the past president of Capitol Crimes, the Sacramento chapter of Sisters in Crime, and the Guppies chapter of Sisters in Crime and co-chair for Bouchercon 2020.

Michele Drier

Her Amy Hobbes Newspaper Mysteries, set in the California Delta area, are Edited for Death, (called “Riveting and much recommended” by the Midwest Book Review), Labeled for Death and Delta for Death. A stand-alone, Ashes of Memories was published May 2017.

Her paranormal romance series, SNAP: The Kandesky Vampire Chronicles, named the best paranormal vampire series of 2014 by PRG, continues with book ten, SNAP: Red Bear Rising released 2018.

The first book of her new series, Stained Glass Mysteries, Stain on the Soul, was released in 2019 and she is currently working on the second book in the series, Tapestry of Tears.

Visit her webpage, www.MicheleDrier.me

Or her facebook page, ,http://www.facebook.com/AuthorMicheleDrier

Or find her on her author page at http://www.amazon.com/Michele-Drier/e/B005D2YC8G/

One commenter on this blog will be selected to receive a Kindle copy of Stain on the Soul!

Categories
Writer's Notes

Guest Post: Gloria Casale

This is an excerpt of Gloria Casale’s autobiography. Gloria is a renaissance woman born before her time. A nurse, physician, expert in bioterrorism transport, infectious diseases who received advanced training in anesthesiology, preventative medicine, and public health. I’m proud to say Gloria gave me the idea for a sinister plot line in my third novel, With Malice Aforethought. She’s a friend as well as a colleague.

Look for it on Amazon November 30th! But today, you can buy her two novels on Amazon. Links are below the bio.

An excerpt from Gloria Casale’s autobiography:

Early 60s.

            The prince married the princess and they lived happily ever after.  

            I didn’t marry a prince, I married a two case of beer a week drinking frog. When he graduated from college he took a job with a company in New York City. It came with three martini lunches.       

            There was no ‘happily ever after for us.’

            This was before ‘the pill,’ before Women’s Lib, before Equal Rights for Women. Women quit their jobs the day before they got married or as soon as they were six months pregnant. Most husbands didn’t want their wives to go back to work until their youngest child graduated from high school.

            It took four years, a lot of marital discord, and two children for me to get the frog out, put the house on the market, and move to Mom’s house.

            In less than two weeks I had a job as Evening Supervisor in a hospital in Newark. 

            I took care of the kids during the day and worked in the evening. Any crisis meant  a midnight or one a.m. departure time. That translated to a two a.m. arrival in Garwood.  Mom didn’t understand.

            Arguing with her on a nightly basis wasn’t worth it. I found an apartment in Newark. As I put the last box in my car, Mom kissed us goodbye and said, “Come for dinner on Sunday.” 

            Back then, the labor law in New Jersey put nurses in the same class as waiters, waitresses, taxi-drivers, barbers and hair dressers. We didn’t have to be paid even minimum wage.           

            My husband wasn’t paying the agreed child support. He never took the kids for their weekends. My mother-in-law told me to stop being selfish. “After-all,” she said, “spending weekends in New York City with his buddies was expensive and time consuming. I had to understand, his new life was taking his entire salary.”

            I didn’t understand.  My pay check barely covered the child care, phone, utilities, food, gas for the car and rent on my two bedroom apartment.

            The guy I dated all through high school and college and everyone thought I would marry showed up at my mother’s house one evening. She gave him my Newark address and phone number.

            He’d finished basic training and was getting ready for his first deployment to Viet Nam. The night before he left for Ft. Benning he took me out for dinner. When he kissed me good night he told me he was going away, that he probably wouldn’t survive, and he told me not to wait for him. Looked like it wasn’t going to work the second time around either.

            Money got tighter and tighter. I checked with a divorce lawyer. It would be at least eighteen months before I’d get a hearing. “Go to Reno,’ he said, “you only have to be a resident of Nevada for six weeks. Then you can get married again.”

            Married again? That was the last thing I needed.

***

About Gloria Casale

Dr. Gloria Casale is an award-winning author of Bioterror: The Essential Threat and newly released Shadow Road. The first book in her second series, Counting Down, is expected to be published in the next twelve months. The series details the lives of ten women from one neighborhood. Twenty-five years later the women are disappearing one by one at yearly intervals. A serial killer is determined to murder them all.

Gloria is also currently working on An Emergency Medicine Memoir she hopes to have the first of a two to three-part series released in the next six months.

Gloria grew up in a small town in New Jersey and earned her medical degree from the University of Kentucky and completed advanced training in anesthesiology, preventative medicine, and public health. She received training in bioterrorism and bioterrorism response at the United States Army Medical Research Institute of Infectious Diseases and is a recognized expert in the international transport of disease. Gloria also served as a consultant to the Division of Transnational Threats at Sandia Laboratory.

The author has been an invited speaker to members of the US military and various ports associations on the topics of bio-weaponry and the international transport of pathogens. She currently lives in New Mexico with her tuxedo cat Hugo.

Website: https://www.gloriacasalewrites.com/

Bioterror: The Essential Threat

Shadow Road

Categories
Street Stories

Guest Post: Rory in the Restroom

By Stacey Pearson, retired Louisiana State Police

Photo courtesy of Tim Mossholder at Unsplash

My guest Stacey Pearson sent me this fun story:

This is a humorous piece that I wrote in response to someone asking me what it was like to go the bathroom in uniform! Rory is a character I’m developing.  She’s kind of a cross between Angie Dickinson and Mr. Magoo.  

Rory in the Restroom

Rory pressed her palms against the door and gave it a shove as she walked.  Inside the sanctity of the women’s restroom, Rory bent at her waist and peered under each stall door. All the stalls were empty, including the handicapped stall. She tapped the bottom of each door with the toe of her boot, swinging the door open enough for her to judge the stall’s cleanliness. She lingered at the spacious handicapped stall and weighed the ramifications.

“You’ll end up on YouTube,” she thought.

Rory stepped into the cleanest stall, the last one on her right. She shuffled around to her left in the tiny space, knocking the metal toilet paper holder with her holster. She tried sliding the door’s latch closed.  Once.  Again. She tried focusing, lining up the male and female parts.  She tried muscling it.  Broken.

“Crap.”

Rory pulled the door towards her, squeezed sideways, and rattled past the toilet paper holder. She repeated the opening-entering-shuffling-and-banging-into process with the adjacent stall. This stall’s latch worked, and Rory began her bathroom stall ballet.

From muscle memory and in one smooth movement, Rory slid her thumb in between the two pieces of joined leather on her holster and popped open the snap. She spread her hand a bit and pressed down. Her thumb and forefinger separated, and the flat of her palm found its home on the grip.  She extended her forefinger along the slide’s underside, above the trigger guard, and pulled her weapon straight up and out of the holster.

Rory gingerly positioned her gun on the top of the toilet lid. The lid was slick with humidity. And not level. She gaped as her fully loaded Glock 17 with one 9mm round in the chamber slid off the lid and tumbled towards the floor. Rory snatched her gun in mid-air like a chameleon catching a fly with its tongue. She jerked her head away from the gun and slammed her eyelids shut. She flinched. And waited. Hearing – and feeling – no accidental discharge, she exhaled.  With no regard for muzzle safety, Rory unzipped her uniform shirt and shoved her Glock down the front of her ballistic vest.

Rory unsnapped the three belt keepers on her duty belt and peeled it back to separate it from her underbelt. The creak of leather, the jingling of handcuffs, and the rip and tear of Velcro was the music of police work. She turned to hang her duty belt on the back of the door only to discover three rusty screw holes forming a triangle. No clothes hook.  Just holes.

“Sonofabitch!”

Rory pawed at the spider web of a cord that attached her portable radio to her shoulder mic. The cord was now wrapped around her neck. She released the mic from her left shoulder lapel by pinching the clip and then re-clipped the mic to her radio’s antenna. The antenna swayed with too much weight.

Rory shouldered open the third stall’s door like she was making a SWAT entry. This stall had a working latch, a clothes hook, but no toilet paper. Rory commandeered the last roll from the handicapped stall, thought better of it, and then returned it. She pilfered a roll from the stall with the broken latch. She backed into this fully-equipped stall, still lugging her duty belt and squawking radio.

Rory slammed the latch closed. She yanked on the clothes hook to make sure it could withstand the weight of her leather duty belt and all its accoutrements – polished-by-hand brass buckle, holster, two pairs of Smith & Wesson handcuffs, two ammunition magazines, and a Motorola XTS 5000 portable radio valued at 10% of her yearly salary.  Not unlike the slippery toilet lid, Rory had a similar bad experience with a faulty clothes hook.  This was the reason she had removed her weapon from its holster and now had it nestled between her 36Cs and her Second Chance ballistic vest.

Satisfied the hook was worthy, Rory hung her duty belt like a Renoir landscape.  She leaned back, looking left then right, to admire her work.  With the most delicate touch, Rory took hold of her duty belt with both hands, one on each side of the hook.  She hoisted it up, eyeballed it, then set it down.  Balanced!  On queue, a pair of Rory’s handcuffs slipped from their case and clattered to the tile floor.

Rory pressed her hand against her chest to keep her gun from falling out and bent over to pick up her handcuffs. When she raised her head, she bumped into her radio. Her shoulder mic came unclipped from the flopping antenna and skidded to rest in the handicapped stall. Rory jerked hard on the cord. The cord contracted, and the mic popped her in the lower lip like a runaway yo-yo. Rory got her duty belt, radio, mic, and handcuffs in custody. In the commotion, she pressed her radio’s emergency button.

The Dispatcher bleated, “The net is Code 3.  10-33.  Dispatch, I-76.  Code 4?  What is your emergency?”


Stacey Pearson is a retired law enforcement professional with extensive experience in complex missing and exploited children investigations. After a distinguished 20-year career, she retired in July 2018 as a veteran sergeant with the Louisiana State Police where she most recently served as the Manager of the Louisiana Clearinghouse for Missing and Exploited Children (LACMEC), the Statewide Coordinator of the Louisiana AMBER Alert Plan, and as the supervisor of the Lafayette Field Office of the Special Victims Unit (SVU).

Categories
Mystery Readers Only

Guest Post: How Does an Old Time Cop Write an Historical Novel with a Touch of Romance From a Woman’s POV?

The Mona Lisa Sisters by George Cramer

By George Cramer

I could say easily, but that would only be true of the start. In 2011, I was happily and gainfully employed by Palm, Inc. Palm came to fame with the Palm Pilot and was one of the early entries in the smartphone market. Then we were bought out, and the layoffs began.

Looking for work, I learned a great deal about age discrimination. That’s a story for another time. After about a year, I spotted a notice for a writing class at the local senior center, a place I had sworn never to enter. I had the feeling it could provide resume improvement. I swallowed my pride and joined the group.

The class was about creative writing, and I fell in love with the art form. So much so that  I returned to college taking English classes. I have to confess that in a much earlier education process, I earned a string of Ds in English. It might have resulted from sharing a beach house with four other students, all waiting to be drafted. None of whom ever seemed to have any homework.

One afternoon at the senior center, the instructor randomly passed out pictures. The one landing in front of me was two young girls staring up at the Mona Lisa. The assignment was to describe the setting in fifteen minutes. I didn’t do it.

I was astonished that a story filled my head. In the time allotted, I had a rough outline of The Mona Lisa Sisters. The title then, and eight years later, it still is. Until then, all I had written were crime and thrillers.

The first draft was finished in a month. I felt like I had just completed a piece equal in stature to Charles Dickens’ Hard Times. I sat it aside while I finished two writing classes at the local community college. I was ready to finish polishing my soon to be bestseller.

Reading with a fresh eye and very little skill, I realized that, like most first drafts, it was a total mess. I needed more classes. I decided to pursue an MFA in Creative Writing. I learned that Joy Harjo, an artist I admire, was a regular speaker at the Institute of American Indian Arts at Santa Fe, New Mexico. I enrolled, met her, and even sat with her once at dinner.

I continued to write and rewrite The Mona Lisa Sisters. The novel became my thesis project. I loved the help and guidance my outstanding professors and mentors gave me in improving the work. This spring, the novel was completed.

I could have continued rewriting, but after eight years, I couldn’t stand to read another word of it. Querying agents brought a slew of rejections. Unwilling to send one more query, I contacted Russian Hill Press, a small independent press.

Working with the owner was a pleasant but exhausting process. She, the line editor, and I went back and forth, refining what was not as complete as I had hoped. Thanks to them, The Mona Lisa Sisters will be released on August 14.

~~


In addition to The Mona Lisa Sisters, George has written a historical crime novel and is completing the second novel in the Liberty – A Hector Miguel Navarro Novel trilogy. He has had eight pieces published in anthologies and one in 0-Dark-Thirty, the literary journal of the Veterans Writing Project.

Ramona Ausubel, author Sons and Daughters of Ease and Plenty, has this to say: “The Mona Lisa Sisters is a tender journey into the making of a family. The novel is full of careful historical detail and the pleasure of European trains and cities and plenty of mystery to keep the pages turning, but the greatest delight is Lura Grisham herself.”

Lura Grisham Myer lives a perfect life until her world is ripped apart. Wealth cannot protect Lura from the tragedies that befall her in the late nineteenth century. Reborn, forged of pain and misery, she voyages to Paris after months as a recluse in Grisham Manor. There Lura finds new purpose in life when she meets two American girls who face a tragedy of their own.

The Mona Lisa Sisters is available for pre-order. Here is a link to his Amazon Author Page, where you can order the paperback ($14.99) or Kindle ($3.99): https://rb.gy/j2m46l.


Author George Cramer

George Cramer was born to a Karuk Indian, a career soldier, and one of the last horse soldiers of World War II. George served in the U.S. Navy during the Vietnam War. Completing his service, he became a police officer, retiring as a sergeant after years of working criminal and undercover investigations. For five years, he volunteered at a local police department investigating missing person’s cold cases.

Recent Awards

2020 Public Safety Writers Association

Flash Fiction Non-Published First Place – Joe

Flash Fiction Non-Published Third Place – Welcome Home

Short Story Non-Published Honorable Mention – Hard Time

Fiction Book Non-Published Fourth Place – A Tale of Robbers and Cops

Email           gdcramer@msn.com

Blog             http://gdcramer.com

FaceBook     http://www.facebook.com/george.cramer.56211

Author         http:www.amazon.com/author/george.cramer

Categories
Street Stories The Call Box

The Call Box: I Saw A Woman Cry…

By Ed Meckle, Retired LAPD

Recently a short story on TV prompted this:

I saw a woman cry this morning. She was a young mother of two, sitting for a TV interview.

She was a nurse who has been working 12-hour shifts at a NY hospital. She hadn’t seen her family for weeks and had been staying over in the city for fear of infecting them.

She was crying because she was bone tired.

She was crying because she had seen so many around her die. She cried because her youth and inexperience with death of this magnitude had not prepared her.

She cried for the very young and the very old. She cried for those who had no one to cry for them and died alone.

She cried because she was confused, because she did not know which way to turn or what to do next.

I wish I had a happy ending for this tale, but I don’t. All I could do was cry with her because I, too, had no answers

Some people cry not because they are weak but because they have been strong for too long.

If you have never sweat, bled, or cried for someone you do not know, then you do not have even the faintest idea of what we are all about.

Some people spend a lifetime wondering if they “made a difference.”

First responders and LEO’s do not have that problem.

No, my friend you really didn’t have a “job,” it was a calling. Not 9 to 5 but 24/7.

You lived it, you breathed it, you loved it and would die for it.

It was your passion, your mistress even on the worst of days. Your time on the job were the “best/worst” days of your life. 

You were “alive.” You lived for the nights you can’t remember and for the friends you can’t forget.

It is not that we can while others can’t. It is because we did when others did not.

It was not the sweltering days, endless cold nights, nor working while others slept or celebrated. It was not the lies, the mindless hatred, indifferent public nor the verbal abuse.

It is not the misrepresentation by the press, nor betrayal of the politician. It is not the senseless violence seeing the unseeable, doing the undoable.

It is not running to the sound of the gun nor dancing with some dirtbag.

It is not walking into darkness seeking the unknown. Not for love of my partner, the high-speed chase the foot pursuit nor facing down an unruly crowd.

But it is how much we loved it and that dear God, that is what makes us who we were.

THE POLICE: Winston Churchill said it best. “Never in the field of human conflict, has so much been owed by so many to so few.”

Categories
Mystery Readers Only

Great News!

FELONY MURDER RULE, Thonie’s latest offering in the Nick and Meredith Mysteries series has won first place in the Public Safety Writers Association 2020 Writing Competition for fiction book, unpublished. Look at the esteemed company I’m in!

Aakenbaaken & Kent will have this book out in the coming months. Check back here or subscribe to get the most current release information.

Categories
Mystery Readers Only

Guest Post: Mixing It Up: Why I Love Mysteries that Mash Genres Together

Singularity Syndrome by Susan Kuchinskas

By Susan Kuchinskas

I think the greatest pleasure in reading genre fiction comes from the tension between fulfilling my expectations for the genre and surprising me by breaking them in some way. I love mysteries for the puzzles and the assurance that justice will probably be served. I love science fiction for its trips away from reality—and I love nothing better than a book that smushes together science fiction and crime.

I’m also guilty of perpetrating this mashup. For my two novels, Chimera Catalyst and Singularity Syndrome, I chose the detective/science fiction hybrid for two reasons. First, I’ve covered technology and the Silicon Valley scene as a reporter for many years, and I wanted to take off from all the skewed attitudes and over-the-top behavior I’d witnessed. (For example, in Singularity, a tech titan wants to force humanity to serve an artificial intelligence; in real life, a tech guru founded a church to worship AI. I kid you not.) Extrapolating what could happen from current breakthroughs is part of the fun of science fiction.

Second, I suck at plotting. I mean, really. I can spend hours flummoxed by the question of what should happen next. So, the conventions of classic detective stories provide a ready-made structure: A crime happens, and the detective visits scenes, questions people and, eventually, gets somewhere. Voila, plot.

Shaking up a mystery with science fiction can provide a fresher milieu. Beth Barany told Mystery Readers Only she sets her mysteries in a hotel/casino on a space station because it would be an exotic location.

A science fiction element can also up the stakes. Charlie Huston based Sleepless on a real malady. In his novel, a policeman works to uncover a conspiracy while everyone in the world—including his wife and daughter—dies around him.

Adding in romance—or even sex—is another way to up the stakes and add some heat to a mystery plot. Heather Haven’s Christmas Trifle marries romance to a cozy mystery. She says she wanted to write a book about a couple’s journey into becoming better people together. “But rather than be preachy (good grief, so not my style), I chose to use food, humor, warmth, and, of course, a dastardly villain,” she says. “Love makes the world go round. Throw in a good murder, and you have a win-win situation.

While many of us are faithful to a genre, few of us cannot be lured by a great mashup. Just look at Outlander—historical fiction with a glorious brew of suspense, romance, horror and time travel. Romance and horror? Jane Eyre and Zombies.

I could go on, but instead, I’m going to start reading This Body’s Not Big Enough for Both of Us, described as, “a mind-blowing, gender-bending, genre-smashing romp through the entire pantheon of action and noir. It is also a bold, tautly crafted novel about family, being weird, and claiming your place in your own crazy story.”

Now, that’s a juicy mix!

ABOUT SUSAN KUCHINSKAS

Susan Kuchinskas

Susan Kuchinskas’ novels and short stories travel through crime, fantasy, science fiction and erotica, often in the same piece. When she’s not hacking words, Susan digs in her organic garden, stares at her beehive, makes pottery and walks her dog through El Cerrito. Find out more about her here: http://www.kuchinskas.com.

Chimera Catalyst and Singularity Syndrome are available in paperback or Kindle formats. 

Chat with Susan on Twitter (https://twitter.com/susankuchinskas) or Facebook (https://www.facebook.com/ChimeraCatalyst). Follow her on Amazon (https://www.amazon.com/Susan-Kuchinskas/e/B001K8JAZ2/) or Goodreads (https://www.goodreads.com/author/show/605550.Susan_Kuchinskas).

Categories
Street Stories The Call Box

The Call Box

By Ed Meckle, Retired LAPD

With all the crazy, funny, bizarre things that cops experience, some are right there in the station house.

BB Ballistics

I was working a radio car and along with my partner. We were in the juvenile office at the station. In custody, we had one defiant 12-year-old boy, one red Ryder model BB gun and one tube of BB’s. He was given to us by an angry motorist with a BB hole in his windshield who’d chased him down. The juvenile ditched the gun (which we found) but he still had the BB tube in his pocket. He denied everything but couldn’t explain the BB’s.

The juvenile officer, Leroy Goforth, also got a denial. Goforth directed me to bring him an office trash can. Goforth emptied it. Then he instructed me to place it across the room open end toward him. He fired one BB into the basket. I retrieved the basket while he rummaged in his desk drawer producing a large pair of tweezers and a Sherlock Holmes-sized magnifying glass. 

He asks the boy, “Do you know what ballistics is?”

“No.”

“It is the scientific method the police use to tell if a particular gun fired a certain bullet. Understand?”

The kid shrugged.

“Well, we are going to do a scientific ballistics test on your gun.”

At this point, Leroy retrieves the BB from the basket. Holding the BB with the large tweezers, he examined it with the large glass for a good 10-15 seconds. 

He gave the kid a long look. Then back to the BB. Kid, BB, kid, BB, kid, BB. Finally, shaking his head sadly, he pronounced, “Without a doubt, there is no question that this gun not only belongs to you but also fired the shot that struck the car. I also know it was an accident, you are sorry and will never do it again. Right kid?”

The kid nodded, “Yes.”


The Wisdom of Age

Many years later, I was the uniformed watch commander and noticed one of my “old timers” with a quarter-sized hole in the front of his uniformed trousers. Knowing he was two weeks from retirement and not about to buy new trousers, I told him, “Charlie, do something about that. We can’t have you walking about with your chalk-white leg showing.”

“Ok, Elltee.” An hour later, as he entered the office the problem seemed solved.

I asked, “That looks much better, what did you do?”

He grins, drops his trousers and I see where he has taken a dark blue marking pen and colored his leg.

~~~


The Education of a Young Patrol Officer

Back in the day when we carried .38 revolvers, I held a firearms inspection. On command you drew your weapon, emptied the 6 rounds into your left hand which was held out for viewing. The pistol was held at “inspection arms” in the right hand.

One of my probationers held a bright shining revolver smelling of gun oil and an empty left hand. He also had a terrified look on his face. I quietly told him to see me after roll call.

“What was that all about,” I asked. 

In a tremulous voice, he replied, “I cleaned my gun the other day and forgot to reload.”

I calmed him down and told he was not in trouble. I asked if there was anything I could say that would make him feel any worse than he was feeling already?

He shook his head. “No.”

I told him he would have to come up with some gimmick to make him think of his gun. Was it loaded? That sort of thing.

Years later the probationer, now a detective, entered an elevator I was on. 

He stood next to me but did not acknowledge my presence. As he got off, he laughed, patted his gun hip and stated, “When the Elltee says stay loaded, I stay loaded.”

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Writer's Notes

JL Greger: Branding Your Covers

By JL Greger

A striking, informative book cover is a powerful way for you as an author to attract the attention of readers. Branding your covers is a way to help these customers to quickly identify your next books and become loyal readers of your series.

What is branding? 

Branding is a marketing strategy that makes your product easily identifiable. In terms of cover designs, it means presenting a consistent appealing product.

Styles of branding on covers

Sometimes publishers will put the same cover design on all the books in the series with only variations in color and of course the title. Aakenbaaken & Kent did this when they republished F.M. Meredith’s Rocky Bluff PD series. I’ve seen it done for other classic, long series. It certainly looks great on a book shelf and works well when the writer has an established audience.

Many well-known authors “brand” how their name appears on their books. Consider Sue Grafton’s series. Her name always appears in the same large, non-serif type set across the top of each of her book covers and usually a large signature letter dominates the cover design. Of course, the titling of her books (A is for .., B is for…) is one of the strongest branding techniques in mystery writing. Michael Crichton’s name in large, no-serif print dominates the top of each of his covers.

Most novelist use more flexible branding techniques on their covers.

Practical example of flexible branding

The heroine in my Science Traveler Series is woman scientist living in the Southwest but consulting sometimes in exotic locations like Bolivia, Cuba, the Middle East, or India. Thus, I decided to feature a woman’s face or at least her eyes on the covers of all my books. Each cover hints at the location of the novel. My cover designer Barbara Hodges chose to put my titles and name on the book binding vertically. This makes them easy to identify on the shelf when the rest of the cover is not visible.

Now, look at your book covers. Which is your favorite? Why? Can you use elements from this cover on your future books’ covers?

Blurb of latest novel: A Pound of Flesh, Sorta: Leaders of drug gangs in New Mexico don’t want scientist Sara Almquist to testify at their upcoming trials for murder and racketeering. After Sara gets a package of sheep guts contaminated with the bacteria that causes the plague, FBI agents rush to protect her. But is the package a threat from the gangs to stop her from testifying or a public health alert by a whistleblower?

Note: The woman’s face and the Southwest theme in the cover for A Pound of Flesh Sorta. Note the use of my flexible theme on two other covers.



Bio: J. L. Greger is a scientist turned novelist. She’s published nine mysteries and thrillers and two books of short stories. She lives in the Southwest with her dog Bug, a character in all her novels. He’s featured in a photo on the back cover of most of her novels.

JL Greger and Bug