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View from the Tower

View from the Tower: Adventure at the Range

prison guard towerBy John Schick, Retired California Corrections Department

Officer Frank C. was a character by anyone’s standards. He was the original “Make a Mountain Out of a Molehill” kinda guy. This caught up with him one day at our outdoor range. It was a blazing hot summer day (of course), and a group of new cadets were getting acquainted with the various weapons we use at work. When it came time to demonstrate the proper use of the federal gas gun, Frank began his Barney Fife impression. He was supposed to load a “Knee Knocker” baton round into the gun. Not our boy Frank! Instead he loads a flare round in and fires it into the dry grass on the berm.

Needless to say, it immediately caught fire!

Everyone retreated and the institution fire department arrived to attend to the growing grass fire. After putting it out, the truck got stuck in the mud created by the hose leaks. The farm supervisor sent a huge rubber-tire John Deere tractor out to pull the fire truck out of the mud. What a scene.John_Deere_9530_b

Kinda reminded me of a silent comedy.

 ~~

 

 

~~

With Malice Aforethought is now available on Amazon.com in eBook format; print copy available in pre-order status.Malice cover

 

 

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Writer's Notes

How Do You Know It’s “The End” -Mike Black

Mike Black coverBy Michael A. Black

A lot of people ask that question. I remember back in my first creative writing class the instructor answered that query with, “You just write ‘The End.’” Appropriate advice, for sure, but it’s a bit more involved than that. Mickey Spillane said, “Your first line sells your book. Your last line sells your next one.” Spillane, who was one of the most successful writers of the Twentieth Century, had a good point. Making sure you have a satisfying ending is as crucial as grabbing the reader with your first line. I’m an advocate of outlining and adhering to the three-act structure, that is, the beginning, the middle, and the end. Doing a good, solid outline is like writing a first draft of your novel. Once you have the plot worked out, and know where you’re going, the writing flows a lot easier.

So that’s how I do it. Once I have an outline of the story or novel completed, it gives me an idea of the pacing as well. I can see any slow points, and allows the proper ending to grow out of the story. Many times, I’ve thrown a book across the room because of an unsatisfying ending. I’ve also vowed never to read that author’s work again.

This is not to say that an outline, or an ending cannot be changed. You may get to a certain point in the story while following your outline, and suddenly realize you took a wrong turn somewhere. It’s simply a manner of making a few adjustments. With an outline, it’s easy to see where you might need to go back and add or alter some places to accommodate the new ending. It helps avoid writing yourself into a corner, and not knowing how to finish it. Another bit of advice from good old Mickey. When asked once in an interview to describe his talent for writing, he replied that he had no talent. “Talent’s something you can lose,” he purportedly said. “What I have is mechanical aptitude.” He went on to describe his writing process: he would write the ending first, and then go back to the beginning. He knew where he wanted to end up, and followed the trail.

Sometimes an editor or an agent may ask you to change an ending. I always listen and evaluate this critical advice. Any wise writer should. Keep in mind that you’re essentially trying to communicate a certain message or theme, as well as to entertain the reader. If you get suggestions that your ending does not convey this message in an effective matter, you would do well to evaluate them. My friend and mentor, writer Wayne Dundee, once told me to consider editorial advice carefully, but to never let that advice sway you from what your gut is telling you. Evaluate it, consider it, perhaps even write an alternate ending… Then see if it fits with your original vision.

How did the Bard put it? To thine own self, be true.

~~~

Michael Black is the author of 28 books and over 100 short stories and articles. He has a BA in English from Northern Illinois University and a MFA in fiction writing from Columbia College Chicago. A decorated police officer in the south suburbs of Chicago, he worked for over thirty years in various capacities including patrol supervisor, SWAT team leader, investigations and tactical operations. In 2010 he was awarded the Cook County Medal of Merit by Cook County Sheriff Tom Dart. His Ron Shade series featuring the Chicago-based kickboxing private eye, has won several awards, as has his police procedural series featuring Frank Leal and Olivia Hart. He has written two novels with television star Richard Belzer and is writing The Executioner series under the name Don Pendleton. His current books are Fatal Prescription and Blood Trails. His novel Missile Intercept is a finalist for the Best Original Novel Scribe award this year. His hobbies include martial arts, running and weight lifting. E-mail: DocAtlas108@aol.com. Website: www.MichaelABlack.com.

~~~

Read Thonie Hevron’s books: By Force or Fear, Intent to Hold, and With Malice Aforethought are all available through Amazon.Cop loc auth close up

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Writer's Notes

When is it “The End?” Sandra Orchard

Serena Jones Mysteries copyFor years I’ve carefully plotted the end of my novels before beginning writing. Then I discovered the fun of allowing my characters to derail my carefully laid plans and write their own ending. But with my latest series— Serena Jones Mysteries, about a plucky FBI agent specializing in art crime investigations—I decided to try something radical.

I invited my readers to tell me how to conclude the series.

More specifically, at the end of the first book, A Fool and His Monet, I invited readers to vote for which of the men in Serena’s life she should fall in love with in the end.

Serena is pretty much oblivious to male interest throughout the light-hearted series. But that didn’t hinder readers from quickly drawing up sides. Some even took their campaign to Twitter and Facebook, championing their choice, #TeamNate or #TeamTanner, who were the clear frontrunners thanks to the zany meddling of Serena’s mother and her Great Aunt Martha.

It made for a lot of fun discussions. And since I didn’t know until six weeks before the final manuscript was due (based on readers’ votes) whom Serena would choose, it was easy to keep readers guessing throughout. Fortunately my two critique partners had aligned themselves on opposite teams, as well, so they ensured I kept the odds even. <grin>

The art-crime mysteries themselves will keep you guessing and laughing until the end, with an eclectic array of secondary characters to keep things extra interesting.

At a reader’s suggestion, I also started a private Facebook group for readers who’ve finished the series, where they can chat (or commiserate) about what happened without worrying about giving away spoilers. The discussions have been lively with several readers asking me to do a spinoff series with the runner-up, or with the spirited Great Aunt Martha or even with Serena and her man, perhaps running a PI agency. We’ll see. <wink>

 

Sandra_OrchardBio:
Sandra Orchard—winner of the RT Reviewers’ Choice Award, the National Readers’ Choice, the Holt Medallion Award of Merit and the Daphne du Maurier Award of Excellence—leaps off the garden trails of her herbal-researcher-turned-amateur-sleuth (Port Aster Secrets) series, to the museum corridors of her plucky FBI art crime agent Serena Jones, in A Fool and His Monet, Another Day Another Dali and Over Maya Dead Body. When not plotting crimes, Sandra plays make-believe with her grandchildren or hikes with her hubby along the escarpment, near their home in Niagara, Canada. Connect at: http://www.sandraorchard.com http://www.Facebook.com/SandraOrchard

 

Book Blurb:

FBI Special Agent Serena Jones arrives on Martha’s Vineyard with her family, ready for a little bit of R&R and a whole lot of reminiscing as they celebrate the engagement of an old family friend. But crime doesn’t take a vacation, and she’s soon entangled in an investigation of a suspicious death tied to an antiquities smuggling ring.

When her investigation propels her into danger, Serena must stay the course and solve this case before anyone else dies. But how is she supposed to do that when the two men in her life arrive on the scene, bringing with them plenty of romantic complications–and even a secret or two?

 

Buy Links:

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What Critics are Saying about Books in the Series:

 

“Another terrifically entertaining mystery by a true master of the genre.” ~Midwest Reviews

 

“Her quirky characters are laugh-out-loud funny and reminiscent of the protagonists in ­Janet Evanovich’s Stephanie Plum stories.” ~Library Journal Review

“When it’s not just her own life at stake, but Aunt Martha’s and a young protégé’s, Serena does what any self-respecting, government-trained agent does—goes rogue.” ~ Kirkus Reviews

“If you want a fast-paced read, “Another Day Another Dali” is definitely written just for you. . .This book was very amusing, as the writer brings together mystery, comedy, love, and family issues to make the perfect story.” ~ Suspense Magazine

~~~

 

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Roll Call

Roll Call: The Calling

By Mikey, Retired LAPD

Today is June 15, 2017, a day after the shooting in Virginia and the near massacre that was thwarted. Everyone there, the politicians, the aides, the whosevers, and the coppers heard their calling. Our politicians are huddled in a dug-out knowing that “this is it.” The last good byes, the argument not finished because the point was not made, the question about a bill to in act, the next appointment, a staffer you’d like to complement and now this, the end? The end of your calling as a politician?

NO, one of you said, “a gun stopped a gun.” Let me rephrase that, a “calling” stopped that. The coppers,’ CNN calls them LEOs or Law Enforcement Officers–but they are coppers, true and blue. Trained like no others. You go into the valley of death because that is what you do, trained to do, and you don’t look for an exit, the way back, or the cavalry. You are the cavalry, the troops, or just the one solider. You may ask for back up, or you don’t have the time, but it doesn’t, matter, the whole thing just landed on you.

AdobeStock_102706188So now you work the problem and everything that implies. You face it head on, frame by frame, still shots, video, very little audio because all your adrenalin is focused on viewing what you are up against. When those coppers put the shooter down, it wasn’t over, in their minds things were still being processed: “Is he the only one, is there a lay off shooter, why here, why now,” and on and on. If being a LEO was easy, everyone could do it, but it’s not and not everyone can.

Why the bonds are so tight among coppers says reams about the calling. And it does not end after you “pull the pin” (retire).  Back in ’08, the year I retired, Rick Alatorre along with Joe Gonzalez and Art Placencia and I started meeting for breakfast once a month at a local restaurant in the Inland Empire. Hal Collier and I started one at about the same time in the Glendale area. As time went on, the “gathering or roll call,” caused both groups to seek larger haunts. Work, (yup, couldn’t stay at home) caused me to focus on the local gathering and Hal ran with the valley group. The local group now has 85+ attendees and we meet the fourth Thursday of the month.

policemag
From policemag.com: to run or not to run photo by policemag

There are coppers in attendance of Ed, Hal’s and my generation and our common thoughts and conversations are the exact same! Just read Ed’s stories and compare them to Hal’s and mine, different incidents and years to be sure but the calling is interred woven in the “Themes.” I have a commercial pilot rating, multi-engine and helicopter. Yup, was gonna be a zoomie for life. I got to do what I wanted to do with that, but ended up doing what I was supposed to do. I answered the calling, my calling. What was, is yours? How fortunate to have been chosen to do and be something bigger than yourself, to mean something to so many and still, today be able to share that others who heard and surrendered to it.

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Writer's Notes

When is it THE END?: Ellen Kirschman

Kirschman-FifthReflection__Highres300_1874x2812.jpegBy Ellen Kirschman:

The end of the story: who decides? I do.

This is a great question. For me, the answer changes with every book. I wrote the first Dot Meyerhoff mystery, Burying Ben, by the seat of my pants. I had no idea how the book would end or whodunit. I only knew I wanted to explore the issue of police suicide. When I submitted the book to an agent, she liked it, but told me she couldn’t sell it with the current ending. I needed to 1) punish the responsible parties harder—readers, she said, like to see justice served, or 2) maybe change the suicide to a murder. (Negative on the spoiler alert. The reader learns about the suicide on page 1). I didn’t have to think about this too long. I said yes to #1— that really improved the book— and a resounding no to #2. End of story? She liked the revisions, acknowledged my openness to her feedback, signed me on, and sold the book.

Right_Wrong_Thing_high-res-330For the second Dot Meyerhoff mystery, The Right Wrong Thing, I promised myself I would know the ending in advance. It’s very hard to hit a target if you don’t know where it is. Adding a bit of planning to my “pantsing” really helped. That book wrote much faster. I now call myself a “plotzer, ” meaning I fall somewhere in the middle between planner and plotter. It was during this second book that my characters started to talk to me. I always thought writers who did this, or said they did, were smoking their socks. I was wrong. It’s not that I am conversing with imaginary people like a crazy person, it’s more like I pose a question about what my character would do and then listen for whatever bubbles up in my brain. This works surprisingly well, especially in the shower.

The Fifth Reflection, third in the series, has a surprise ending. Actually they all do. But this one really has a twist. I knew from the beginning whodunit and why. This time my characters literally shouted at me. I didn’t always like what they said, but I listened.

Endings are hard. Maybe the hardest part of writing a book. You can feel when a writer is exhausted and has lost patience with her novel or grown tired of her series. The ending feels rushed, weak, or sometimes implausible, as though the author can’t face another revision. The same thing holds for TV series. The antics get wilder, the sex gets hotter, and the effort to pump air into a tired script is far too noticeable.

Most writers are open to feedback. We get so close to our words and characters, we can lose perspective. It helps to have trusted people to give objective advice. At the same time, I know that, while there is a lot of help for authors, not all help is helpful. You have to discriminate. Like the old Kenny Rogers song, The Gambler, “You’ve got to know when to hold ’em, Know when to fold ’em, Know when to walk away And know when to run…”

~~~

 

E KirschmanBio:  Award winning police psychologist Ellen Kirschman is the author of three non-fiction books and the Dot Meyerhoff mystery series.  Dot Meyerhoff is a spunky 52-year-old psychologist. Too dedicated for her own good, she should be counseling cops, not solving crimes. The Fifth Reflection, forthcoming in July, is third in the series. Ellen blogs at Psychology Today online. Find out more about Ellen, her blogs and her books at www.ellenkirschman.com.

Buy The Fifth Reflection on Amazon

 

 

 

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Writer's Notes

When is it THE END?: Marian Lindner

By Marian Lindner

WL Cover

All my fiction books are juicy beach reads, fast-paced and fun. I’m a big believer in the healing properties of pulp fiction, so I deeply value a great story well told. In my experience as a voracious reader, I’ve noticed that the end of a story can be the most precarious place. Sometimes a writer who gives us a tremendous beginning and middle falters at the end. I never want to do this. I believe the conclusion MUST matter.

 

“If someone wrote it and it had a peculiar twist, I’ve read it.” -Dean Koontz

For me, the end is when all the secrets are revealed, when the climactic action happens and most importantly, when the twist occurs. I think a great book is one that I want to re-read immediately upon finishing. I want books to completely take me by surprise with the ending so that I understand in a new way the motivations for the characters throughout the novel. My award-winning debut novel San Francisco delivers a twist that sheds light on not only the personal relationships of the characters but also on the political figures of the time. It gave me joy to interweave these narrative threads.

 

“If you want a happy ending, that depends, of course, on where you stop your story.” -Orson Welles

 

Since San Francisco was set against the great earthquake and fire of 1906, the story is driven by the quake and raging inferno, as the characters negotiate the shattering calamity. I ended the novel as the reconstruction of San Francisco began. Putting the ending at the point where rebuilding began seemed like a natural finish. At the beginning of the 20th century, San Francisco survived the unthinkable.

 

“I would rather never be published again than write a downbeat ending.” -Marian Keyes

 

In San Francisco I wanted an uplifting conclusion. I showcase the transformation of a carefree socialite into someone with a new appreciation for the value of life. Having gone through such a devastating experience, one of the greatest natural disasters in United States history, the heroine transforms on a profound level—as does the whole city. The novel’s ending is filled with hope.

 

“I don’t see novels ending with any real sense of closure.” -Michael Ondaatje

 

In my second novel, a thriller called The Hunt for the Lost Word, the ending comes fast and furious. I enjoyed wrapping things up quickly and I liked that the fate of the characters was clear. But I also wanted to retain some mystery, so the hero never truly understands the secrets of the Lost Word. His wife is the one who comprehends, but she doesn’t disclose with the main character. I think that type of enigma spices up a story and leaves readers intrigued.

 

“Ending a novel is almost like putting a child to sleep – it can’t be done abruptly.” Colm Toibin

 

In my latest novel, the editor at my publishing house was beyond helpful in assisting me in crafting a masterful ending. As many writers do when writing a manuscript, I layered so much action into the ending that it would have overwhelming for readers. My phenomenal editor helped me to slow things down. With her guidance, I made three chapters out of that was only one chapter in my original draft. All the threads were tied up in that original effort, but I can’t emphasize enough how much a writer needs the support of good readers and an editor to make a book sizzle right up to the very end!

 ~~~

 

Marian LindnerMarian Lindner is crazy-passionate about books and story. She is the author of San Francisco, which won an Honorable Mention in the Los Angeles Book Festival, The Hunt for the Lost Word, and The Witch Lineage. She also wrote the non-fiction daily-affirmation guide The Emotionally Available Partner. An editor of fiction manuscripts, she has a Master’s Degree in Comparative Literature and is always in search of great stories. Marian lives in California’s enchanted village of Glen Ellen with her husband, daughter, a golden-haired Chow-Chow, and two little black cats.

To buy The Witch Lineagehttp://amzn.to/2gEFANR

 

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The Call Box

The Call Box: The Remorseful Rapist

lapd callboxBy Ed Meckle, Retired LAPD

As a detective, I must admit to a small amount of envy…                                                                                                                                                                        

In the early 1960’s Los Angeles held the title “bank robbery capitol” of America.  At the time, one in every 10 bank robberies in the USA occurred in the LA area.  

The LAPD Robbery Division Bank Squad and the FBI Bank Squad were two elite units and they took down a good number of suspects. 

 Metro Division flooded banks with stakeouts, and also got their share.  OK, so why the envy?   Well with so many bank robbers running around sticking up so many banks. they were given nicknames to keep them straight.

 money-941228_960_720The “Counter Jumpers,” “Takeover Bandits,” “The .45 Caliber Bandit,” “Yellow Scarf,” “Gold Tooth,” and on and on. They, by God, had nicknames! How cool is that (did I just say cool)? Ok, so it’s obvious why a detective (me) working routine everyday run-of-the-mill robbers would be envious. I mean, none of my criminals had any panache, any flair, even any style. We had “Blue Chip (see post March 29, 2017),” but we got him on his first job and the only thing outstanding was his stupidity. We did have one I can remember, “The Buntline Bandit,” so named for the very long barrel of his revolver, and we got him after job number 9. 

Caspar_Milquetoast_Christmas_cardAnyway, the real subject matter of this piece is the sexual predator they named “The Remorseful Rapist.” The name attached to the will-o-the-whisp had sexually assaulted in excess of 50 women over several years. He was small in stature, wispy thinning hair, horn-rimmed glasses, every bit the Casper milk-toast character. Inoffensive in appearance, virtually invisible, ghost of a man, barely noticed. His hunting grounds were within three large LAPD divisions: Hollywood, Wilshire, and West LA; and one sheriff’s area: West Hollywood area. He would accost the victim as she entered her home displaying a small handgun. His actions indicated that he spent much time on surveillance. He earned his nickname due to the fact that after the assault he would be overcome with guilt, apologize to the victim, beg her forgiveness and vow, “Never again.”

With multiple detectives involved, a task force was established. Metro supplied the manpower for the rolling stakeouts, but the problems presented were many. No discernible pattern emerged as to location, days, and times. He chose his victims very carefully, and even after getting 25-30 victims together for a brain storming session we came up with nothing. We never got close—he was everywhere, and he was nowhere.

Then we got lucky. A woman resisted him, hit him in the face and snatched his glasses. He screamed like a 12-year-old girl, yelled something like “mama,” and fled.

Finally.

Working with the prescription from the glasses and some other information we had obtained, he was finally arrested. 

 

Now the kicker…

 One of our detectives had married earlier in the year and “Remorseful” was one of his groomsman. There he was, in the wedding album, looking at the camera in all his “wimpiness.” The detective made very rude remarks when it was suggested that he leave the wedding album at the station for use as a “mug book.”

 Paroled many years later, “Remorseful” went right back to his old habits, but he was much easier to catch the second time around.

 

Afterthought: the weapon that he used in his original spree was a toy gun. Overcome with guilt afterwards, he would throw it away. Vowing never again, he lost count of how many toy guns he had to buy.

~~~

Read Thonie Hevron’s books: By Force or Fear, Intent to Hold,

and With Malice Aforethought are all available through Amazon. Malice coverCop loc auth close up

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Writer's Notes

“The End” for Writers: Jolyn Lauer

How do you know your characters are finished with their story?

jo_lauer_home_102913_250By Jolyn Lauer 

I love this question. I always feel terminally unique when answering it, until I hear/read handfuls of other writers grappling with the same dilemma.

I begin a story much the same way as I end it. The character(s) jump out at me and demand to be heard/seen. They don’t always come with a story attached—that’s my job, to figure out what they want to tell.

When it’s over, it’s over. They stop speaking… or so I thought.

I began my first quirky, cozy-mystery novel, Best Laid Plans, when Jenny spoke to me during my morning shower. “I never meant to kill anyone that morning,” she said.

 Following that thread introduced me to an earnest social worker determined to establish a halfway house for female ex-felons, a street-wise ex-junkie and current lesbian bar owner, a crazed but wealthy octogenarian, and a house full of colorful ex-felons bent on putting found buried treasure to good use. I thought I was done. Except… the story ends with the crazy old lady’s promise to wreak vengence—an unintended cliff-hanger.

I published it. Months passed. A few readers asked what comes next.

Walking to work one afternoon, the ex-junkie bar owner said offhandedly, “We all had lives before that book, you know.” Huh?

That seemed to call for a prequel at a time folks were requesting a sequel. From that, An Unlikely Trio emerged, taking us back into the lives of the three main characters and watching Fate have its way, connecting them in the bigger picture. Again, I had no idea where we were going. This book ended with a natural segue into Best Laid Plans, which still begged for some sort of ending beyond the cliff-hanger.

The social worker sidled up to me one morning while I was washing the dishes and said, “Don’t you want to know what happened?” Well, yes, but I didn’t have a clue as to how to figure it out. “The key is in the crazy,” she said. 

Eventually, the octogenarian stepped forward to reveal her story. As a therapist myself, I’m fascinated by how people “turn out” from their early beginnings. Her story became one of “the wounded narcissist,” and took me to the conclusion of the book, Gone Awry, stumbling along the way over a horrific plot change that I didn’t see coming.

By the end of the third book, in what had now become a trilogy, we were done. There was nowhere else to go. All the ties between the books had been made, nothing left dangling over the cliff, nothing unresolved.

But then… hindsight being a great teacher and at times my worst nemesis, I wondered if it would have made more sense for all these books to be rearranged and combined into one. Will the journey never end?

I still don’t know if I’m done.

____________

An Unlikely TrioAuthor Bio:

Jo Lauer’s articles and essays have appeared in numerous journals and anthologies.

She is the author of “Returning: A Collection of Stories,” and three novels: An Unlikely Trio (Prequel to Best Laid Plans), “Best Laid Plans (A Cozy Mystery), and “Gone Awry. She is also the author of three novellas: Waltzing With the Azaleas, Grapevine, and Sojourner.

Jo is a psychotherapist by day, and lives in Santa Rosa, California, with her stuffed raven, Loudly. Please check out her website at www.jolauer.com.

 

~~~

Read Thonie Hevron’s books:

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By Force or Fear, Intent to Hold,

and With Malice Aforethought

are available through Amazon.

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Writer's Notes

When is it “The End?”: Kay Mehl Miller

You’ll Cry Too by Kay Mehl Miller, author

K Mehl Miller novel coverMy best works leave the reader asking, “ And then what happened?”

Take my latest book Ring Around Reality: A Novel. The first time I wrote it 37 years ago, I came to the end, put my head down on my typewriter and cried and cried and cried.  Why was I was I crying?  I’m not going to tell you, but I bet you’ll cry too when you read it.  I’ll give you a clue, though.  The novel is based on my alcoholism— I’ve been sober for 44 years now. But that is me, not necessarily my character Diana Lossen.

How come it took 37 years before the book was published?  Because I was intimidated by it. The facts, which I turned into fiction, were stark, a reality for most practicing alcoholics. My family of origin was bound to be impacted, so I didn’t publish it.  In 2014 the last of  that family died. I took down the hefty manuscript and spent over a year rewriting it, changing the title, some character names, and a lot of this and some of that, honing and polishing until I was awed by my own writing. In the end I bowed my head over the computer keyboard, this time, and cried and cried and cried.

Am I still intimidated by the book? You bet I am. Every time I do a reading, I wander what is in the mind of my audience. At my last reading, I glanced up after I read about four-year-old Diana’s mother throwing her child’s new red wagon in the swamp. I saw horror on the faces of most of my audience and later was asked how a mother could do such a thing.  I knew then that people in that audience would read the book to the end to see if there is an answer to their question.

On the way through the book, my audience will find significant character flows in Diana, vividly described. Parents will hide this book from their children. I will hope that my readers will discriminate between my character Diana and me, and yet, I write about the things I know.

If you are wondering how you will know when your book ends, try crying.

__,_._,___

Kay Mehl MillerKay Mehl Miller,Ph.D. was a newspaper reporter, intermediate school English teacher a columnist for LGBT media and, eventually, a psychotherapist in Hawaii. Besides Ring Around Reality, she is the author of two creative non-fiction books: Talking it Over: Understanding Sexual Diversity and Living with the Stranger in Me: An Exploration of Aging. Her first novel is Love Comes at Twilight: A Love Story for Seniors. She has written two plays, one of which was produced by Santa Rosa’s Sixth Street Playhouse.

 

and the links.

www.amazon.com 

www.kaymehlmil.com

~~~

 

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Read Thonie Hevron’s books:

By Force or Fear, Intent to Hold, and With Malice Aforethought are available through Amazon.

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Ramblings by Hal

Ramblings: Not Your Usual Strawberry

By Hal Collier, Retired LAPD

This is a story I wish I could present to teen age school kids. It might just discourage a few from drug use. The dictionary defines a “Strawberry” as a woman who trades or sells sex for crack cocaine! I don’t know what a male who does the same thing is called. I was working graveyard shift in Hollywood when we received a domestic dispute radio call. It was about 2:30 in the morning and we figured some man came home drunk after spending the rent money at the bar.

We couldn’t have been more wrong.

teacherThe apartment was an upper-scale building and I’d never had radio calls there before. We were met at the door by a male who stated, “Come in officers, I called you!” The man stated he and his wife had been married for over five years but the marriage was over. He pointed to an attractive well-dressed woman sitting on the couch. He said his wife was a school teacher and a very smart woman. He then said, “That is, until she tried crack cocaine at a party a while back. She now spends her entire pay check to support her habit. Now she’s removing household items and selling or trading them for more cocaine. She’s about to lose her job and I just can’t take it anymore.”
She had become a strawberry! I asked the wife if this was true, she nodded her head, yes. I could tell she was high on drugs. I gave the man the best advice that I could under the circumstances and wished him luck. A few months later I ran into the woman at Hollywood and Western. Yea, she was high and not even close to the attractive woman I had seen months earlier.

 

woman on meth
Okay, this woman was on meth, but you get the idea, right?

She told me her husband had thrown her out of the apartment and changed the locks. She was now living on the streets. A year later I got a radio call of a woman down in a doorway of the taco stand at Hollywood and Western. I stirred the woman awake and when she rolled over I was shocked to see it was the same school teacher. She was dirty and had open oozing sores on her arms. She had really gone downhill fast. She was barely coherent and had that vacant stare. I might have taken pity on her but I had seen too many follow the path to self-destruction by drugs. I wish I had a camera and took a picture of her that first day and a picture a year later. Showing it to kids, it might just save a few lives. I saw a lot of strawberries in my career but I never saw one fall this far this soon!

 

–Hal

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Read Thonie Hevron’s books: By Force or Fear, Intent to Hold, and With Malice Aforethought are all available through Amazon.

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